Archive for Yetta Seidman

“Der yold iz mir mekane” An Underworld Song Performed by Yetta Seidman

Posted in Main Collection with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 21, 2022 by yiddishsong

Der yold iz mir mekane / The fool envies me
A song from the Jewish underworld sung by Yetta Seidman
Recorded by Gertrude Nitzberg, Baltimore 1979, collection of Jewish Museum of Maryland

TRANSCRIPTION AND TRANSLATION 
(Yiddish transcription at the end of this post)

Der yold iz mir mekane. Der yold iz mir mekane.
Der yold iz mir mekane far mayn urem shtikele broyt.
Er vil fin gurnit visn, vi ikh ver oysgerisn
Es kimt mir un biter vi der toyt.

The sucker/fool/patsy envies me. The fool envies me.
The fool envies me because of my dismal piece of bread.
He doesn’t want to know how I suffer.
It is as hard for me as death.

Mayn mame in mayn tate, zey zenen geveyzn blate.
Fin kayn tsuris hob ikh bay zey keyn mol nit gevist.
Ven ikh bin gevorn elter, zenen zey gevorn kelter
in ganvenen hot zikh mir farglist.         

My mother and my father; they were in the underworld.
I did not know of any troubles with them.
When I got older, they became colder,
And I got the desire to steal.

Ikh gey aroys in market, in khap zikh tsi a pocket.
A mise-matn [mase-matn] hob ikh zikh dortn ungemakht.
Es kimt tsi geyn a yenta, in brengt mit zikh a mente
in in “Steyshun-hoyz” hot men mir gebrakht.

I go out into the market, and pick a pocket,
I committed a theft [literally – transaction]  over there.
A trouble-making woman comes over and brings with her a cop
and to the Station House I was brought.

In droysn geyt a reygn, in droysn geyt a reygn.
Se iz zikh shoyn ongefaln a kleyn bisele shney.
Ale mayne yurn in “prizin” upgezesn,
Az yeder eyver tit zikh mir shoyn vey.

Outside it’s raining; outside it’s raining.
A small bit of snow has already fallen
All of my years I spent in prison
So every part of me hurts.

COMMENTARY BY ITZIK GOTTESMAN

Probably the most popular of the Jewish underworld songs, there is an East European version and an American version. Seidman sings the American version which includes the English language words “market” “pocket” “station house” and “prison”.

Those words are not found in the East European version. But on both sides of the Atlantic the Yiddish underworld slang words are kept – “mente” (policeman), “blate” (criminal) “mase-matn” (a theft, a criminal act but literally “transaction”).

Image: M. Leizerowicz in the play “Motke Ganef” by Sholem Asch from the Yizkor (Memorial) Book of Piotrkow Trybunalski

The song often begins with the verse “In droysn geyt a regn mit a kleyn bisele shney” and for those grammarians out there – the first line is usually sung “Der yold iz mikh mekane”.

Another version of the song, with a slightly different melody can be heard in the YIVO Ruth Rubin archive. On this 78 rpm record Morris Goldstein sings the original (?) American version (1922):

The song is featured in the film “Image Before My Eyes” (1980) sung by Lillian (Leyele) Klempner. According to Lehman in his collection Ganovim-lider (1928), the song was written during the German occupation of WW1. Scans of Lehman’s version from Poland, words and music, are attached. Also see Jane Peppler’s comments on the song:

דער יאָלד איז מיר מקנא
געזונגען פֿון יעטע זײַדמאַ

.דער יאָלד איז מיר מקנא. דער יאָלד איז מיר מקנא
.דער יאָלד איז מיר מקנא מיט מײַן אָרעם שטיקעלע ברויט
.ער וויל פֿון גאָרניט וויסן, ווי איך ווער אָפּגעריסן
.עס קומט מיר אָן ביטער ווי דער טויט

.מײַן מאַמע און מײַן טאַטע, זיי זענען געוועזן בלאַטע
.פֿון קיין צרות האָב איך בײַ זיי קיין מאָל נישט געוווּסט
ווען איך בין געוואָרן עלטער, זענען זיי געוואָרן קעלטער
.און גנבֿענען האָט זיך מיר פֿאַרגלוס

.”איך גיי אַרויס אין “מאַרקעט” און כאַפּ זיך צו אַ “פּאַקעט
.אַ משׂא־מתּן האָב איך דאָרטן אָנגעמאַכט
עס קומט צו גיין אַ יענטע און ברענגט מיט זיך אַ מענטע
.און אין “סטיישאָן”־הויז האָט מען מיר געבראַכט

אין דרויסן גייט אַ רעגן, אין דרויסן גייט אַ רעגן
.אין דרויסן גייט אַ רעגן און סע איז זיך שוין אָנגעפֿאַלן אַ קליין ביסעלע שניי
אַלע מײַנע יאָרן אין “פּריזאָן” אָפּגעזעסן
.אַז יעדער אבֿר טוט זיך מיר שוין וויי

From Szmil Lehman, Ganovim lider : miṭ melodyes. Warsaw, 1928:

“Erev-yon-kiper far der nakht”: A Yiddish Murder Ballad Performed by Yetta Seidman

Posted in Main Collection with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 1, 2020 by yiddishsong

Erev-yon-kiper far der nakht / The Eve of Yom Kippur 
A Yiddish murder ballad sung by Yetta Seidman, recorded by Gertrude Nitzberg for the Jewish Museum of Maryland, 1979.

Commentary by Itzik Gottesman

Jews praying in the synagogue on Yom-kippur, painting by Maurycy Gottlieb

This is another variant of this once popular 19th century Yiddish murder ballad about a rejected lover shooting his beloved. We have previously posted a version “Erev yonkiper nokh halbn tog” sung by Yankov Goldman, from the YIVO Institute’s Ruth Rubin Archive. 

Seidman’s melody is basically the same, as is the plot, but the words differ in interesting ways. In all the versions the boyfriend takes out a revolver and shoots her, but it is unusual for the ballad to end at that point in the story as it does here. There is usually a different concluding verse or two. Also in this version we learn the name of the woman, Dvoyre, (the same name as in Goldman’s version) but not the name of the shooter.

This ballad often begins with the line “Tsvelef a zeyger shpet bay nakht” and has no connection to Yom Kippur. We will post additional versions of this ballad in the future.

Seidman said that she learned this song from her mother in Russia. Her Yiddish has features of both southern and northern Yiddish dialects.  She immigrated to the United States in 1910.  

TRANLITERATION/TRANSLATION

Erev-yon-kiper far der nakht,
ven ale mentshn tien esn geyn,
ven ale mentshn tien esn geyn.
Geyt a fraylen fin der arbet
in der gelibter antkegn ir. 

The eve of yom-kippur, before nightfall
when all the people are going to eat.
when all the people are going to eat.
Walks a young woman from work
and her lover meets her from the other direction.

Vi er hot ir derzeyn
azoy iz der o geblibn shteyn.
“Atsind, atsind mayn tayer zis leybn.
Di zolst mir zugn ye tsi neyn.”

As soon as he saw her
he stopped.
“Now, now my dear love
you must tell me yes or no”

“Ye tsi neyn vel ikh dir zugn
Az mayne eltern shtern mir.
Mayne eltern shtern mir.
Mayne eltern, oy, tien mir shtern,
az ikh zol far dir kayn kale nit vern.”

“Yes or no, I will tell you:
My parents prevent me.
My parents prevent me.
O, my parents prevent me
from becoming your bride.”

Vi er hot dus derhert
azoy hot es im fardrosn. 
Aroysgenemen hot er ayn revolver
un er hot Dvoyrelen geshosn. 

As soon as he heard this, 
he was peeved. 
He took out his revolver
and shot Dvoyrele.

Vi er hot ir geshosn,
azoy hot er zikh dershrokn.
Oysgedreyt hot er deym revolver
un hot zikh aleyn geshosn.

Right after he shot her
he became frightened.
He turned the revolver around
and shot himself.

TRANSCRIPTION

ערבֿ־יום־כּיפּור פֿאַר דער נאַכט
.ווען אַלע מענטשן טוען עסן גיין
.ווען אַלע מענטשן טוען עסן גיין
גייט אַ פֿרײַלין פֿון דער אַרבעט
.און דער געליבטער אַנטקעגן איר

,ווי ער האָט איר דעזען
.אַזוי איז דער אָ געבליבן שטיין
,אַצינד, אַצינד מײַן טײַער זיס לעבן„
“דו זאָלסט מיר זאָגן יאָ צי ניין

,יאָ צי ניין וועל איך דיר זאָגן„
.אַז מײַנע עלטערן שטערן מיר
.מײַנע עלטערן שטערן מיר
,מײַנע עטלערן טוען מיר שטערן
“.אַז איך זאָל פֿאַר דיר קיין כּלה ניט ווערן

,ווי ער האָט דאָס דערהערט
.אַזוי האָט עס אים פֿאַרדראָסן
אַרויסגענעמען האָט ער אײַן [אַ] רעוואָלווער 
.און האָט דבֿורהלען געשאָסן

ווי ער האָט איר געשאָסן
.אַזוי האָט ער זיך דערשראָקן
אויסגעדרייט האָט ער דעם רעוואָלווער
.און האָט זיך אַליין געשאָסן