Archive for holiday

“Vu iz dus gesele?” Performed by Malka and Josef Lubelski

Posted in Main Collection with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 8, 2021 by yiddishsong

Vi iz dus gesele? / Where is the street?
A Holocaust adaptation written and sung by Malka and Josef Lubelsksi recorded by Abraham Lubelski, Bronx 1967

On the Lubelski family by  Abraham Lubelski

Malka (Male, Molly, Minska) Lubelski (1920 – 1996) was born in Lodz, Poland. She and her husband, Laibish Holcman, left Lodz in 1939, as the Nazis were invading, and headed East to the Soviet Union. With them was Malka’s sister, Chana, and her brother, Yasha. They were attempting to find Malka’s uncle in Ukraine.

They were diverted by Soviet authorities to Siberia, ending up in the town of Magnitogorsk. Here their son, Abram [Abraham], was born. They were finally given permission in 1941 to travel to their uncle’s home in Ukraine, arriving in Kharkov just as the Nazis invaded. They never reached their uncle and he was never heard from again. Laibish Holcman disappeared in 1941, soon after joining to fight with the defending Soviet Army.

They left behind their mother, a younger sister Ruth (Rivka) and three younger brothers, Motel, Laibel and Avrom. Malka, Chana, Yasha and Rivka survived the Holocaust. Their mother, Nacha, was taken from the Lodz ghetto and never heard from again. The three younger brothers also did not survive; one died in the ghetto and the other two died after being transported to Auschwitz. The four surviving siblings were reunited in 1946 in the Displaced Persons camp. All emigrated with their new families to the US in ’49-’50.

From Siberia, Malka and her son traveled on to Tashkent, Uzbekistan, where Malka met Josef Lubelski (1906 – 1972) originally from Kalisz, Poland. Malka’s siblings, Chana and Yasha, also were able to travel to Tashkent. From there they returned west at the war’s end, searching for surviving family, Malka, Josef and Abram eventually making their way to the DP camp in Berlin. They transferred and were reunited with Rivka in the Leipheim, Germany DP camp. In the camp, Josef established a troupe and directed an ensemble of friends and actors. Josef and Malka sang duets and performed Yiddish monologues and Shakespeare. They were legally married in the DP camp in 1948.

As their son (Abram) I remember sitting in the front row of the theater watching their vaudeville performances and dramas with awe. Josef did classic “retsitatsyes” [recitations] often dressed like Charlie Chaplin or as a Jewish peddler making the audience laugh as he magically pulled things out from his long black overcoat and tried to sell a chicken here, pots and pans there or a “valgerholts” [rolling pin] with which to beat husbands.  They traveled to DP camps performing on week-ends and I cried if they left me behind so eventually they had me come along as the child actor in one or two Yiddish plays.

In 1950 they emigrated to the US. and performed their songs occassionaly at Workmen’s Circle gatherings. In 1967 I recorded Josef’s monologues and Molly and Josef singing duets. I remembered my mom sitting alone on the stage dressed in black mourning singing “Vu iz dos gesele,” “Tsen brider” and “Akhtszik er un zibetsik zi”, …. Never forgetting the warming spirit trying to revive the people around them.

More on the Lubelski family can be read in the two memoirs The Cage (1980) and To Life (2000) by Ruth Minsky Sender. 

Commentary by Itzik Gottesman

Today’s post is the first of three songs performed by Molly and Josef Lubelski that we will post. We thought it particularly appropriate to post “Vi iz dus gesele” to mark Kristallnacht on Nov. 9th. Though these songs were recorded in 1967, two decades after the war, they still convey the emotional performance of the artists.

The Lubelskis sing a Holocaust themed adaptation of a popular song “Vu iz dos gesele”. Their son Abraham believes they created the text. I have not found it in collections of Holocaust Yiddish songs. The words and music to the original song can be found in the Mlotek collection Songs of Generations. There are also Ukrainian, Russian and Hebrew versions of the older song. 

Here is a link to an orchestrated version of the original song “Vu iz dos gesele” sung by Jan Peerce:

TRANSLITERATION, TRANSLATION & TRANSCRIPTION 
Folksong with new words by Malka and Josef Lubelski

Vi iz dus gesele? Vi iz di shtib?
Vi iz mayn mishpokhe, vus ikh hob azoy lib?
Nishtu shoyn dus gesl, tsebrokhn di shtib
farbrent mayn mishpokhe vus ikh hob azoy lib.
Nishtu shoyn dus gesl, tsebrokhn di shtib,
farbrent mayn mishpokhe vus ikh hob azoy lib.

Where is my street? Where is my house?
Where is my family that I onced loved?
The street is no more.The house is broken.
Burned up is the family that I loved so much.

Vi zenen di zingendike, tantsndike kinder?
Vi zenen zey ale atsinder?
Tserisn, tseshtokn, tsetsoygn.
Der mamen, der mamen, der mamen in di oygn. 
Tserisn, tseshtokn, tsetsoygn.
Der mamen, der mamen, der mamen in di oygn.

Where are the singing, dancing children?
Where are they now?
Torn, stabbed and pulled apart 
in their mothers’, their mother’s eyes.

Vi iz di shil? mitn gildenem orn-koydesh?
Der shabes, der yontif? rosh-khoydesh?
Farbrent iz di shil, farbrent oykh di sforim;
fun gantsn shtetl, geblibn iz bloyz kvorim. 
farbrent iz di shil, farbrent oykh di sforim,
fun gantsn shtetl, geblibn iz bloyz kvorim. 

Where is the synagogue with the golden Holy Ark?
The sabbath? The holiday? The beginning of each month?
The synagogue is burned down, as well as the holy books.
Of the whole town, only graves remain. 

Gekumen iz der tug far nekume far dem blut
far yedern gesl, far yederer shtub. 
Ot iz der tug – azoy zet er oys.
Ober der khezbn, der khesbn iz tsu groys.
Ot iz der tug – azoy zet er oys.
ober der khezhbn, der khesbn iz tsu groys.

The day for revenge has come for this blood,
for every street, for every house.
The day has come – this is how it looks.
But the reckoning, the reckoning is too great.

געזונגען און באַאַרבעט פֿון מלכּה און יוסף לובעלסקי

רעקאָרדירט פֿון אַבֿרהם לובעלסקי, בראָנקס 1967

?וווּ איז דאָס געסעלע? וווּ איז די שטוב
?וווּ איז מײַן משפּחה, וואָס איך האָב אַזוי ליב
,נישטאָ שוין דאָס געסל, צעבראָכן די שטוב
.פֿאַרברענט מײַן משפּחה וואָס איך האָב אַזוי ליב
,נישטאָ שוין דאָס געסל, צעבראָכן די שטוב
.פֿאַרברענט מײַן משפּחה וואָס איך האָב אַזוי ליב

?וווּ זענען די זינגענדיקע, טאַנצנדיקע קינדער
?וווּ זענען זיי אַצינדער
,צעריסן, צעשטאָכן און צעצויגן
.דער מאַמען, דער מאַמען, דער מאַמען אין די אויגן
,צעריסן, צעשטאָכן און צעצויגן
.דער מאַמען, דער מאַמען, דער מאַמען אין די אויגן

?וווּ איז די שיל מיטן גילדענעם אָרון־קודש
?דער שבת? דער יום־טובֿ? ראש־חודש
.פֿאַרברענט איז די שיל, פֿאַרברענט אויך די ספֿרים
.פֿון גאַנצן שטעטל געבליבן בלויז קבֿרים

,געקומען איז דער טאָג פֿאַר נקמה פֿאַר דעם בלוט
.פֿאַר יעדערן געסל, פֿאַר יעדערער שטוב
.אָט איז דער טאָג ־ אַזוי זעט ער אויס
.אָבער דער חשבון, דער חשבון איז צו גרויס

“Khanike-gelt (mume, mume, mume gite)” Performed by Dora Libson

Posted in Main Collection with tags , , , , , , , , , , , , , , , , , , , , , , , , on December 7, 2020 by yiddishsong

Khanike-gelt (mume, mume, mume gite) – Hanukkah Money (Aunt, Aunt, Aunt So Good)
A Hanukkah song sung by Dora Libson. Recorded by Lionel Libson, 1977 

Commentary by Itzik Gottesman

There seems to be a connection between this song and the Yiddish schools of Argentina. Avrom Lichtenbaum, director of the Argentina YIVO, remembers singing it in kindergarten in a Yiddish school in Buenos-Aires. The only printed version I have found was in the children’s song collection Heym un mishpokhe, yomim-toyvim, edited by Sara Fischer, Buenos-Aires, 1948. A scan of the song from that volume is attached (Fischer). 

In Heym un mishpokhe, yomim-toyvim it is called “Khanike gelt” and includes only the first two verses which I also transliterate since the rhymes are better in those verses than the ones in Libson’s version.  It also states that the poem was “From the Hebrew” translated by the Argentinian Yiddish children’s writer Shemuel (Shmuel) Tsesler (1904 – 1955).  

Sure enough, in the Israeli Zemereshet website we find the song in Hebrew in several versions, with more and different stanzas but the composer and writer of the Hebrew original song remains unknown.

Libson’s third and fourth verse, however, are not included in these Hebrew versions. Click here to see the Hebrew versions.

Libson’s pronuncation of the holiday as “Khaniko” instead of the usual “Khanike” in Yiddish, or “khanuka” in modern Hebrew,  reflects an Ashkenazic Hebrew pronunciation.

Thanks this week to Avrom Lichtenbaum, Gila Flam and Dina Pozniak.

Khanike-gelt as sung by Dora Libson

1) Mume, mume, mume, gute,
vi ikh hob dikh lib.
Bist a gite, bist a zise,
khanike-gelt zhe gib.
Bist a gite, bist a zise,
khanike-gelt zhe gib.
Khaniko iz haynt! Khaniko iz haynt!

Aunt, aunt, aunt, so good,
how I love you.
You’re so good, you’re so sweet.
So give me Hanukkah-gelt!
Hanukkah is today! Hanukkah is today!

2) Un az di mume hot gegebn
loz ikh mikh tsurik.
Un ikh gey mir glaykh tsum feter
feter gib zhe di!
un ikh gey mir glaykh tsum feter
feter gib zhe di!
Khaniko iz haynt!   Khaniko iz haynt!

And after Auntie gave me,
I returned back
and go straight to my uncle.
Uncle give me!
Hanukkah is today! Hanukkah is today!

3) Dem [Di] badaytung fun dem yontif
veys ikh dokh gants git.
Antiyoykhes iz [hot] fargosn
fil yidish blit.
Antiyoykhes hot fargosn
fil yidish blit.
Khaniko iz haynt!  Khaniko iz haynt!

The significance of this holiday
I know so well.
Antioches spilled 
much Jewish blood.
Antioches spilled 
much Jewish blood.
Hanukkah is today! Hanukkah is today!

4) In beys-hamigdesh fremde geter
hot men ungeshtelt. 
Un du ayl zikh nisht mayn dreydl
zay zhe mir a held.
un du ayl zikh nisht mayn dreydl
zay zhe mir a held.
Khaniko iz haynt!  Khaniko iz haynt!

In the Temple, foreign gods
were erected.
And don’t hurry my dreydl
be my hero. 
Khanike is today!  Khanike is today!

חנוכּה איז הײַנט
געזונגען פֿון דאָרע לאַבסון

מומע, מומע, מומע גוטע
.ווי איך האָב דיך ליב
ביסט אַ גוטע, ביסט אַ זיסע
.חנוכּה־געלט זשע גיב”
!חנוכּה איז הײַנט! חנוכּה איז הײַנט

,און אַז די מומע האָט געגעבן
.לאָז איך מיך צוריק
,און איך גיי מיר גלײַך צום פֿעטער
„פֿעטער, גיב זשע דו !”
!חנוכּה איז הײַנט! חנוכּה איז הײַנט

די באַדײַטונג פֿונעם יום־טובֿ
.ווייס איך דאָך גאַנץ גוט
אַנטיוכות האָט פֿאַרגאָסן
.פֿיל ייִדיש בלוט
!חנוכּה איז הײַנט! חנוכּה איז הײַנט

אין בית־המיקדש פֿרעמדע געטער
.האָט מען אָנגעשטעלט
,און דו אײַך זיך נישט מײַן דריידל
.זײַ זשע מיר אַ העלד
!חנוכּה איז הײַנט! חנוכּה איז הײַנט

The two verses in the Shemuel (Shmuel) Tsesler collection Heym un Mishpokhe Yomim-Toyvim:

Tsu der mumen, tsu der guter
makh ikh a shpatsir.
“Khanike-gelt, gute mume,
Gib zhe gikher mir!”

Git di mume mir a groshn
“Kh’dank dir!” Zog ikh hoykh.
Itster gey ikh tsu mayn feter:
“Feter gib mir oykh!”
Khanike iz haynt! Khanike iz haynt! 

“Yoyne-hanuvi” Performed by Lifshe Schaechter-Widman

Posted in Main Collection with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 26, 2017 by yiddishsong

 

Commentary by Itzik Gottesman

We are posting this recording of Lifshe Schaechter-Widman singing Yoyne-hanuvi (Jonah the Prophet) for Yom-Kippur since Maftir Yoyne, the Bible story of Jonah is read during the mincha (afternoon) service. The recording was made by Leybl Kahn in the Bronx in 1954. Two newer interpretations of this song based on LSW’s version have been recorded: the German/USA  group Myridian on their recording of 2004 and one by the singer Eleonore Biezunski and her group Yerushe on the CD Yerushe/Heritage in 2016 (you can hear part of the song at this link).

jonah_whale

This song might have had special meaning for LSW since her father was named “Yoyne.” He died of cholera in 1894 when she was one-year old. His grave is still to be found in the Jewish cemetery of (Yiddish name) Zvinyatchke (aka Zvinyace, Zvineace, Zveniachyn), Ukraine on the Dneister river.

The sudden break in the narrative (and melody) from the story of Jonah to a direct appeal to God from the woman singer makes this a very unusual song. I have found no other versions. This recording first appeared on a Global Village  Music cassette release of LSW’s songs Az di furst Avek (1986).  Upon another listen I have changed a few words in the transcription since that release. The transliteration reflects LSW’s dialect.

Yoyne-hanuvi iz fin Got antlofn.
Er hot nisht gevolt kayn shlikhes geyn.
Oyf dem shif hot es im getrofn
ven dus shif hot ungehoybn intergeyn.

Gevald! Varft men goyrl oys.
Veymen me zol in yam araynvarfn.
Goyrl iz aroys:
Yoyne-hanuvi min-hastam.

Inter dray misles hot Got bashert a nes.
A fish hot im ousgeshpign tsirik
Hobn di yidn gezeyn, vus se iz gesheyn.
Nisim fin Got aleyn.

Azoy zolst mir vazn vi mayn man tsi shpazn.
Uptsihitn zekh fin deym toyt.

Dus ken nisht keyner, nor di Got eyner.
Rateven Yoynen finem toyt.

Dus ken nisht keyner, nor Got di eyner.
Uptsirateven Yoynen fin deym toyt.

Jonah the prophet ran away from God;
He did not want to go on his mission.
There on the sea it happened to him –
when the ship started to sink.

Help! So they throw lots
to determine whom to throw into the sea.
The lots concluded that:
Jonah the Prophet of course.

In three days God performed a miracle.
A fish threw him back out.
And thus the Jews saw what had occurred –
miracles from God himself.

So you should show me
how to provide for my husband,
to save him from death.

No one can do this,
only you God –
who rescued Jonah from death.

yoyne1

yoyne2

yoyne3

“Erev yon-kiper af der nakht” Performed by Lifshe Schaechter-Widman

Posted in Main Collection with tags , , , , , , , , , , , , , , , , , , , on September 30, 2014 by yiddishsong

Commentary by Itzik Gottesman

A short ballad or a fragment? In just one verse it tells quite a story and I rather think it is a dramatic one verse song in classic ballad form (first a description of the scene, then a dialogue) about a problem we usually think of as a Jewish immigrant’s dilemma. It clearly was an issue in the old country as well. This recording of Lifshe Schaechter-Widman, (b. Zvinyetchke, Bukovina, 1893 – d. New York, 1973) was recorded by Leybl Kahn in the Bronx in 1954.


Erev yoym-kiper af der nakht
iz geshtanen a gevelb afgemakht.
Hot men gefregt vus tisti rushe
Im yon-kiper aza groyse zind?
S’i nishkushe, s’i nishkushe
Ikh darf farnern vayb un kind.

Yom Kippur evening
a store stood open.
So they asked – “What are you doing wicked one?
Such a sin on Yom Kippur!”
“It’s not so bad, not so bad –
I have a wife and child I must feed!’
yonkiper

“Sha, shtil nisht gezorgt” Performed by Tsunye Rymer

Posted in Main Collection with tags , , , , , , , , , , , , , , , , , , , , , , , on January 22, 2012 by yiddishsong

Commentary by Itzik Gottesman

This is among the more well-known songs that have been posted on the Yiddish Song of the Week, but I have included it more because of Tsunye Rymer‘s heartfelt singing (as usual!), than the song itself. He was in his 80s by the time of this recording, but how he expresses the “ay-ay-ays” is a lesson in Yiddish (male) folksinging style.

This was recorded in our dining room in the early 1980s, I would guess when Rymer came over Friday night after dinner, as he often did. My mother, Beyle Schaechter-Gottesman is the woman‘s voice, and I hear my father, sister and uncle Mordkhe Schaechter there too.

According to Bob Freedman‘s database of recorded songs, particularly of LPs, only Ben Bonus and the Salomon Klezmorim have recorded the song, but it has been quite popular. You can find it with words and music in Chana and Joseph Mlotek‘s collection Pearls of Yiddish Song page 146, 147. Also printed in the earlier collections of Anna Shomer Rothenberg 1928, and Gelbart 1938.

As for the performance here: The line is usually sung „nishto keyn matses, nishto keyn vayn‟ since it‘s referring to Passover, so singing „broyt‟ – bread – is a mistake, I will leave to the Yiddish linguists among you to discuss Rymer‘s „hypercorrective‟ pronunciation of „shavous‟ and „sukes‟.

The printed versions all have „Ober khsidim‟ [Hasidim] zenen mir‟ not, as is sung here, „ober yidn zenen mir‟. Since they‘re traveling to the rebbe, Hasidim is the more obvious choice, but in our family we always sang „yidn‟. Listening to this performance, it seems that the version known by the audience sometimes overwhelms Rymer‘s version and he just adapts to our words.

Un az ez kumt der yontif peysekh
vider af s‘nay
nishto keyn broyt iz, nishto keyn vayn,
Ay,ay, ay, ay! ay, ay, ay, ay!
Sha, shtil un nisht gezorgt,
Got in himl iz a futer,
du gelien, du geborgt,
Ikh hob shoyn alts un puter.
Hay, hay, hay, hay, hay!
Vus mir zenen, zenen mir, ober yidn zenen mir,
un tsim rebn furn mir, undzer gantsn lebn.

And when the holiday Passover arrives,
once more anew:
there‘s no bread, no wine,
Ay,ay, ay ay! Ay, ay, ay ay!
Sha! Quiet! Don‘t you worry,
God in heaven is our father.
Here and there we borrow a little,
I have everything and that‘s all we need.
Hay, hay, hay, hay, hay!
What we are – we are,
But Jews are what we are
And to our Rebbe we travel
our whole life.

Un az s‘kumt der yontif shvues,
vider af s‘nay.
Nito keyn milikhiks, nito keyn grins,
Ay, ay, ay, ay! Ay, ay, ay,ay!
Sha shtil……

And when the holiday Shavous arrives –
Once more anew.
There‘s no dairy, no vegetables,
Ay, ay ay, ay! Ay, ay, ay ay!
Sha…..

Un az s‘kumt der yontif sukes,
Vider af s‘nay.
Nito keyn esrig, nito keyn liliv,
Ay, ay, ay, ay! Ay, ay, ay ay!
Sha sthil……

And when the holiday Sukes comes –
Once more anew.
There‘s no esrog, there‘s no lulav,
Ay, ay, ay, ay! Ay, ay, ay, ay!
Sha….


“Lekoved yontef, lekoved Shabes” Performed by Zinaida Lyovina and Dasya Khrapunskaya

Posted in Main Collection with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on September 22, 2011 by yiddishsong

Commentary by Dmitri Slepovitch

Nina Stepanskaya (1954–2007) and I recorded Lekoved yontef, lekoved Shabes (“שבת לכבֿד , טאָב-יום לכבֿוד “, In Honor of the Holiday, In Honor of Shabes) in Pinsk in June, 2005 from two sisters, Zinaida Lyovina (b.1928) and Dasya Khrapunskaya (b. 1931), both born in Turov, Zhytkavichy region (rayon), Gomel oblast, 169 km east of Pinsk. Lekoved yontef, lekoved Shabes is a variant of Gabe, vos vil der rebbe, which has been featured previously in the Yiddish Song of the Week.

The father of the sisters (they were four siblings) became their first source for learning the Yiddish songs. Not to a lesser extent he became a source of their inspiration as they created their own songs, translated several Russian songs into Yiddish and composed new verses for popular Yiddish songs. Zinaida and Dasya told us that the father would never take them with him to the synagogue, but he sang at home, infusing the Passover seder and other home ceremonies with the delicious taste of rare and beautiful Jewish songs.

One of their father’s songs is Lekoved yontef, lekoved Shabes (In Honor of the Holiday, In Honor of Shabes). It is a quite typical dialog song between a rebbe (Hasidic sect leader) and a gabe (gabbai, synagogue assistant) known in several melodic versions (e.g., the one in the Hazamir choir repertoire published in Copenhagen in 1937).

The rhythmical structure of this song brings together a free time recitative in the verse and the clear 6/8 time in the refrain. The given type is inherent to a vast corpus of Yiddish songs, primarily those representing either a dialog (as in this case) or a monologue in first person.

A remarkable feature of this performance (not only of this song, but also of many others that we heard from the two sisters) is that Dasya and Zinaida tend to sing in harmony, most typically in third, sometimes meeting in unison. The reason for that rather non-typical manner of Ashkenazi Jewish vocal performance lies – not surprisingly – in the Belarusian cultural milieu. The two sisters, as some of our other interviewees in Belarus, explained to us that they “felt like singing in harmony because it was customary among their Belarusian friends and they often used to sing with them (before the WWII) in such way.”

Singing in harmony is one of a few amazing regional markers in Yiddish music performance known from both recent recordings and Beregovsky’s and Maggid’s collections, that all give a clear perspective on a given regional style and, in a wider sense, represent a regional soundscape as adapted by and mirrored in a local Jewish tradition.

The following video of Zinaida Lyovina’s and Dasya Khrapunskaya’s remarkable performance of “Lekoved yontef, lekoved Shabes” is featured in Dmitri Slepovitch’s new program, “Traveling the Yiddishland,” produced for the Folksbiene National Yiddish Theater. The show integrates video taken from Slepovitch’s and Nina Stepanskaya’s field research in Belarus with live performances of the music arranged by Slepovitch for his ensemble.


Gabe! ­– Vos vil der rebe?
Der rebe vil ­­– me zol im derlangen.
Vos? – Latkes mit shmalts,
Az der rebe mit der rebetsn
Zol zayn a gezunt in haldz.
 
Gabbay! – What does the rebbe wish?
When the rebbe wishes, he should be offered something.
What? – Latkes with goose fat,
So that the rebbe and his wife
Should have healthy throats.
 
Chorus:

Lekoved yontef,
Bim-bam-bam-bam
Lekoved Shabes,
Bim-bam-bam-bam
Lekoved yontef,
Bim-bam-bam-bam,
Lekoved Shabes, bim-bam.
 

In honor of the holiday,
Bim-bam-bam-bam
In honor of Sabbath,
Bim-bam-bam-bam.
In honor of the holiday,
Bim-bam-bam-bam
In honor of Sabbath, bim-bam.

Gabe! ­– Vos vil der rebe?
Der rebe vil ­­– me zol im derlangen.
Vos? – A telerl mit yoykh,
Az der rebe mit der rebetsn
Zol zayn a gezunt in boykh.
 

Gabbay! ­– What does the rebbe wish?
When the rebbe wishes, he should be offered something.
What? ­– A plateful of chicken soup,
So that the rebbe and his wife
Should have healthy stomachs.
 
Chorus
 
Gabe! ­– Vos vil der rebe?
Der rebe vil ­­– me zol im derlangen.
Vos? – A telerl mit fish,
Az der rebe mit der rebetsn
Zol zayn a gezunt in di fis.
 

Gabbay! ­– What does the rebbe wish?
When the rebbe wishes, he should be offered something.
What? ­– A plateful of fish,
So that the rebbe and his wife
Should have healthy feet.

 Chorus