Archive for heartbreak

“In mayn hartsn brent a fayer” Performed by Lifshe Schaechter-Widman

Posted in Main Collection with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 5, 2018 by yiddishsong

In mayn hartsn brent a fayer / A fire burns in my heart
Sung by Lifshe Schaechter-Widman, recorded by Leybl Kahn, 1954 NY

Commentary by Itzik Gottesman

Another lyrical love song sung by Lifshe Schaechter-Widman (LSW) from the Leybl Kahn recordings of 1954.

Katchor1Katchor2Lifshe Schaechter Widman & Leybl Kahn by Ben Katchor

Two similar versions of the song without the melody were collected by Shmuel-Zaynvil Pipe and Oyzer Pipe in Sanok, Galicia and published in the YIVO-bleter volume 11, Jan – May, 1937 in Yidishe folkslider fun Galitsye, page 62. I have mentioned before in this blog that of all the pre-World War Two collections of Yiddish folksong, the Pipe brothers’ Galicia, Poland, collections come closest to LSW’s Bukovina repertory.

Note that LSW sings “malekh- hamus”, which is her dialect form for “malekh-hamoves” (angel of death).

Regarding the comic strip above: the artist Ben Katchor imagined how these 1954 recording sessions might have looked in his advertisement for the cassette Az di furst avek. The strip appeared in the collection Picture Story 2 (NY. 1986, edited by Ben Katchor).

In mayn hartsn brent a fayer / A fire burns in my heart

TRANSLITERATION

In mayn hartsn brent a fayer
nor me zeyt nisht keyn royekh aroys.
Ekh hob gemeynt bist a malekh fin deym himl.
Tsum sof bisti mayn malekh-hamus

Mayne eltern tien mikh freygn,
vus ikh gey azoy arim  betribt.
Vi ken ikh zey mayn shmarts dertseyln,
az ekh hob mekh in dir farlibt.

Az ikh hob mekh in dir farlibt.
hot keyn shum foygl af der velt hot nisht gevist.
Haynt iz a rash in ale gasn,
az indzer libe iz imzist.

Az di libe iz imzist;
Es geyt mir azh un a geveyn.
Far veymen blaybt den di veytik
Az nisht nor bay mir aleyn.

TRANSLATION

A fire burns in my heart
but no smoke can be seen.
I thought you were an angel from heaven,
turns out you’re the angel of death.

My parents ask me
why I go around so sad.
How can I tell them of my pain –
that I have fallen in love with you.

That I have fallen in love with you –
not a bird the world over knew about it.
Today there’s much talk in all the streets
that our love is for naught.

That our love is for naught
keeps me crying.
With whom will stay this pain
if not only with me.

brent1

brent2

brent3

Shmuel-Zaynvil and Oyzer Pipe, Yidishe folkslider fun Galitsye, YIVO-bleter volume 11, Jan – May, 1937:
Pipe-brent

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Merke Levine Performs “Mayn harts, mayn harts”

Posted in Main Collection with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on June 27, 2018 by yiddishsong

Mayn harts, mayn harts / My heart, my heart
Sung by Merke (Mary) Levine, recorded by Beyle Schaechter-Gottesman
Bronx, July 6, 1991

Commentary by Itzik Gottesman

The singer Merke (Mary) Levine was from Belarus and came to NY after the first world war. She lived in the Bronx and was active in the Yiddish left, and later in life was a board member of the Sholem Aleichem Cultural Center in the Bronx. Her husband Tevye Levine was a teacher in the Arbeter ordn folkshuln.

merkeMerke (Mary) Levine

This love song Mayn harts, mayn harts is found twice in the YIVO Ruth Rubin on-line collection. There it is sung both by Golde Fried and her husband Israel (Sruli) Freed with the same melody and only minor textual differences.

In terms of  Yiddish folksong poetry, what stands out is the line “Mayne gedanken – ahin, aher”, which I translated as “My thoughts – any way you look at it”.  The expression “ahin-aher” or “hin-her” can also mean “after long discussion”, or “to get to the point”

TRANSCRIPTION

Mayn harts, mayn harts veynt in mir.
Ikh darf zikh sheydn itst mit dir.
Mayne gedanken – ahin-aher.
Mit dir tsu sheydn iz mir shver.

Vu forstu mayn zis lebn?
Vu forstu fun mir avek?
Vu vel ikh dir darfn zukhn?
Zog zhe mir in velkhn veg?

Fun yedn shtetele, fun yedn derfele,
a brivele shraybn zolstu mir.
Betn, bet ikh dir mayn zis lebn,
nit fargesn zolstu mir.

TRANSLATION

My heart, my heart cries in me.
I must now part with you.
My thoughts – anyway you look at it: [lit: this way, that way]
to leave you is hard for me.

Where are you traveling my dear love?
Where are you traveling and leaving me?
Where will I have to search for you?
Tell me in which way?

From each town, from each village
you should write me a letter.
I ask of you, my dear love,
please not to forget me.

mayn harts yiddish

“Oy, di ershte zakh” Performed by Tsunye Rymer

Posted in Main Collection with tags , , , , , , , , , , , , , , on March 5, 2018 by yiddishsong

Oy, di ershte zakh
O, The First Thing
Sung by Tsunye Rymer
Recorded in NYC by Itzik Gottesman, 1985
Commentary by Itzik Gottesman

Tsunye (Isaac) Rymer learned this in his hometown of Krosne (Krasna), Ukraine, from a tailor who was a wonderful singer and therefore called “Kanarik” – canary.

RymerphotoTsunye Rymer

Just as Rymer was leaving for America in 1921, he visited Kanarik on the “Tailor’s Street.” It was summer but Kanarik was covered with a blanket.  It was said he had tuberculosis. He called Rymer over and asked him to sing something together with him. “This was the last song we sang together in Krosno”.

Often Yiddish songs that employ Russian/Ukrainian words for the rhymes use them to humorous effect, but in this serious song that is obviously not the case.

Thanks to Paula Teitelbuam for helping with this week’s blog.

TRANSLITERATION 

Oy, di ershte zakh vel ikh dikh mamenyu beytn
in di zolst es mir tin tsilib.
Az Got vet helfn un az ikh vel shtarbn,
Zol men mekh derkhtrugn derkh mayn libstn shtib

Un nokh a zakh vel ikh dikh mamenyu beytn
in di zolst es yisponyayen. [carry out, execute]
Az mayn gelibter vet in shtib araynkimen
zolst im khotsh nisht obizhayen. [offend]

In dus iz mamenyu mayn letste bite –
di zolst im in gurnit obvinyayen. [blame, fault, accuse]
kh’hob man leybn zikh aleyn genemen
ikh zol nit darfn mer stradayen. [suffer]

TRANSLATION

O, the first thing, mother, that I ask of you,
and you should do it for my sake.
God willing, when I die,
they should carry me past my loved one’s house.

And another thing, I ask of you mother,
and you should carry it out.
If my loved one should enter our house,
at the least, do not offend him

And this, mother, is my last request:
you should not blame him for anything.
I took my own life,
I should no longer have to suffer.
zakh1

zakh2a

“Oy vey mame” Performed by Ita Taub

Posted in Main Collection with tags , , , , , , on August 4, 2010 by yiddishsong

Notes by Itzik Gottesman

Ita (or Eta) Taub (1908 – 2003) was born in the Ukrainian town of Stidenitse on the Dniester river. She immigrated to Montreal and then New York. She published two volumes of autobiography in Yiddish, Ikh gedenk (I Remember), with one volume appearing posthumously. She also wrote a volume of poetry, In klem fun benkshaft (In the Fetters of Longing, Jerusalem, 1993) and published the Yiddish love poetry and love letters sent to her by an admirer (Libe briv un lider by Itzik Freiman).

She was well known for her philanthropic generosity and financially supported numerous Yiddish causes, especially those connected to Soviet Yiddish literature. She was a classy lady, as they say, with a huge apartment on 106th Street on Manhattan’s Upper West Side. By the time I recorded her, her voice was clearly not very powerful, but she still could sing an unaccompanied Yiddish folksong in a compelling way.


Ita Taub in the Gottesman’s Sukke in the Bronx, 1990s

The song Oy vey mame was one of two she remembered from her shtetl. Ruth Rubin recorded her singing both in 1962 and they are in included in the publication Yiddish Folksongs in the Ruth Rubin Collection (Mlotek/Slobin, 2007). Oy vey mame is on page 54; a scan of that page is reproduced below. As Rubin notes, the closest variant found to this song is in I. L. Cahan’s collection Yidishe folkslider mit melodyes (1957, #150). The dramatic last line that Ita sings about commiting suicide is not found in that version. This recording was made in the Bronx in the mid-1980s at the Gottesman’s house.

Ita’s other shtetl song, Got hob bashafn mentshn af der velt is found in the Rubin collection on pages 61-62. She picked up many other songs on her travels which we hope to present in future postings.

Pete Rushefsky adds: Each verse of Oy vey mame is comprised of two sections employing distinct modal characters. The modulation between the two sections creates a haunting sound that imbues the piece with gravity and tragedy. The first section is transcribed in B-major, but the melody initially implies the subdominant F# major. The second section shifts to a tonal center of C# in a mode described by the pioneering Jewish musicologist Abraham Zvi Idelsohn as the “Ahava Raba” scale, also known by cantors and klezmorim as “freygish” (an allusion to its similarity to the phrygian scale). Ahava Raba is additionally consistent with the Turco-Arabic maqam of hijaz/hicaz. Here, the melody descends from F# to the new C# tonal center, followed by a second descending passage from F# further down to the subtonic B.  Finally the section resolves through an ascending/descending sequence with an ending that mirrors the initial F# to C# descent. The written musical transcription below contains a few discrepancies from the recording – it is likely there are errors in the transcription, though I have not heard Rubin’s recording of Taub to analyze differences with the Gottesman recording made two decades later.