Archive for graves

“Vu iz dus gesele?” Performed by Malka and Josef Lubelski

Posted in Main Collection with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 8, 2021 by yiddishsong

Vi iz dus gesele? / Where is the street?
A Holocaust adaptation written and sung by Malka and Josef Lubelsksi recorded by Abraham Lubelski, Bronx 1967

On the Lubelski family by  Abraham Lubelski

Malka (Male, Molly, Minska) Lubelski (1920 – 1996) was born in Lodz, Poland. She and her husband, Laibish Holcman, left Lodz in 1939, as the Nazis were invading, and headed East to the Soviet Union. With them was Malka’s sister, Chana, and her brother, Yasha. They were attempting to find Malka’s uncle in Ukraine.

They were diverted by Soviet authorities to Siberia, ending up in the town of Magnitogorsk. Here their son, Abram [Abraham], was born. They were finally given permission in 1941 to travel to their uncle’s home in Ukraine, arriving in Kharkov just as the Nazis invaded. They never reached their uncle and he was never heard from again. Laibish Holcman disappeared in 1941, soon after joining to fight with the defending Soviet Army.

They left behind their mother, a younger sister Ruth (Rivka) and three younger brothers, Motel, Laibel and Avrom. Malka, Chana, Yasha and Rivka survived the Holocaust. Their mother, Nacha, was taken from the Lodz ghetto and never heard from again. The three younger brothers also did not survive; one died in the ghetto and the other two died after being transported to Auschwitz. The four surviving siblings were reunited in 1946 in the Displaced Persons camp. All emigrated with their new families to the US in ’49-’50.

From Siberia, Malka and her son traveled on to Tashkent, Uzbekistan, where Malka met Josef Lubelski (1906 – 1972) originally from Kalisz, Poland. Malka’s siblings, Chana and Yasha, also were able to travel to Tashkent. From there they returned west at the war’s end, searching for surviving family, Malka, Josef and Abram eventually making their way to the DP camp in Berlin. They transferred and were reunited with Rivka in the Leipheim, Germany DP camp. In the camp, Josef established a troupe and directed an ensemble of friends and actors. Josef and Malka sang duets and performed Yiddish monologues and Shakespeare. They were legally married in the DP camp in 1948.

As their son (Abram) I remember sitting in the front row of the theater watching their vaudeville performances and dramas with awe. Josef did classic “retsitatsyes” [recitations] often dressed like Charlie Chaplin or as a Jewish peddler making the audience laugh as he magically pulled things out from his long black overcoat and tried to sell a chicken here, pots and pans there or a “valgerholts” [rolling pin] with which to beat husbands.  They traveled to DP camps performing on week-ends and I cried if they left me behind so eventually they had me come along as the child actor in one or two Yiddish plays.

In 1950 they emigrated to the US. and performed their songs occassionaly at Workmen’s Circle gatherings. In 1967 I recorded Josef’s monologues and Molly and Josef singing duets. I remembered my mom sitting alone on the stage dressed in black mourning singing “Vu iz dos gesele,” “Tsen brider” and “Akhtszik er un zibetsik zi”, …. Never forgetting the warming spirit trying to revive the people around them.

More on the Lubelski family can be read in the two memoirs The Cage (1980) and To Life (2000) by Ruth Minsky Sender. 

Commentary by Itzik Gottesman

Today’s post is the first of three songs performed by Molly and Josef Lubelski that we will post. We thought it particularly appropriate to post “Vi iz dus gesele” to mark Kristallnacht on Nov. 9th. Though these songs were recorded in 1967, two decades after the war, they still convey the emotional performance of the artists.

The Lubelskis sing a Holocaust themed adaptation of a popular song “Vu iz dos gesele”. Their son Abraham believes they created the text. I have not found it in collections of Holocaust Yiddish songs. The words and music to the original song can be found in the Mlotek collection Songs of Generations. There are also Ukrainian, Russian and Hebrew versions of the older song. 

Here is a link to an orchestrated version of the original song “Vu iz dos gesele” sung by Jan Peerce:

TRANSLITERATION, TRANSLATION & TRANSCRIPTION 
Folksong with new words by Malka and Josef Lubelski

Vi iz dus gesele? Vi iz di shtib?
Vi iz mayn mishpokhe, vus ikh hob azoy lib?
Nishtu shoyn dus gesl, tsebrokhn di shtib
farbrent mayn mishpokhe vus ikh hob azoy lib.
Nishtu shoyn dus gesl, tsebrokhn di shtib,
farbrent mayn mishpokhe vus ikh hob azoy lib.

Where is my street? Where is my house?
Where is my family that I onced loved?
The street is no more.The house is broken.
Burned up is the family that I loved so much.

Vi zenen di zingendike, tantsndike kinder?
Vi zenen zey ale atsinder?
Tserisn, tseshtokn, tsetsoygn.
Der mamen, der mamen, der mamen in di oygn. 
Tserisn, tseshtokn, tsetsoygn.
Der mamen, der mamen, der mamen in di oygn.

Where are the singing, dancing children?
Where are they now?
Torn, stabbed and pulled apart 
in their mothers’, their mother’s eyes.

Vi iz di shil? mitn gildenem orn-koydesh?
Der shabes, der yontif? rosh-khoydesh?
Farbrent iz di shil, farbrent oykh di sforim;
fun gantsn shtetl, geblibn iz bloyz kvorim. 
farbrent iz di shil, farbrent oykh di sforim,
fun gantsn shtetl, geblibn iz bloyz kvorim. 

Where is the synagogue with the golden Holy Ark?
The sabbath? The holiday? The beginning of each month?
The synagogue is burned down, as well as the holy books.
Of the whole town, only graves remain. 

Gekumen iz der tug far nekume far dem blut
far yedern gesl, far yederer shtub. 
Ot iz der tug – azoy zet er oys.
Ober der khezbn, der khesbn iz tsu groys.
Ot iz der tug – azoy zet er oys.
ober der khezhbn, der khesbn iz tsu groys.

The day for revenge has come for this blood,
for every street, for every house.
The day has come – this is how it looks.
But the reckoning, the reckoning is too great.

געזונגען און באַאַרבעט פֿון מלכּה און יוסף לובעלסקי

רעקאָרדירט פֿון אַבֿרהם לובעלסקי, בראָנקס 1967

?וווּ איז דאָס געסעלע? וווּ איז די שטוב
?וווּ איז מײַן משפּחה, וואָס איך האָב אַזוי ליב
,נישטאָ שוין דאָס געסל, צעבראָכן די שטוב
.פֿאַרברענט מײַן משפּחה וואָס איך האָב אַזוי ליב
,נישטאָ שוין דאָס געסל, צעבראָכן די שטוב
.פֿאַרברענט מײַן משפּחה וואָס איך האָב אַזוי ליב

?וווּ זענען די זינגענדיקע, טאַנצנדיקע קינדער
?וווּ זענען זיי אַצינדער
,צעריסן, צעשטאָכן און צעצויגן
.דער מאַמען, דער מאַמען, דער מאַמען אין די אויגן
,צעריסן, צעשטאָכן און צעצויגן
.דער מאַמען, דער מאַמען, דער מאַמען אין די אויגן

?וווּ איז די שיל מיטן גילדענעם אָרון־קודש
?דער שבת? דער יום־טובֿ? ראש־חודש
.פֿאַרברענט איז די שיל, פֿאַרברענט אויך די ספֿרים
.פֿון גאַנצן שטעטל געבליבן בלויז קבֿרים

,געקומען איז דער טאָג פֿאַר נקמה פֿאַר דעם בלוט
.פֿאַר יעדערן געסל, פֿאַר יעדערער שטוב
.אָט איז דער טאָג ־ אַזוי זעט ער אויס
.אָבער דער חשבון, דער חשבון איז צו גרויס

Mark Varshavski’s “Vi halt ikh dus oys?” Performed by Lifshe Schaechter-Widman

Posted in Main Collection with tags , , , , , , , , , , , , , , , , , , , , , , on April 23, 2018 by yiddishsong

Vi halt ikh dus oys? – How Can One Stand It?
Words and Music: Mark Varshavski
Sung by Lifshe Schaechter-Widman
Recorded by Leybl Kahn NYC 1954

Commentary by Itzik Gottesman

Vi halt ikh dus oys is surely one of the saddest songs from a composer, Mark Varshavski (aka Warshavsky) known for his classic nostalgic and upbeat songs such as Oyfn pripetshok, Milner’s trern and Di mezinke oysgegebn.

In her brief discussion with Leybl Kahn before and after she sings, LSW connected the -message of the song to the Zionist movement; a commentary on the eternal wandering of the Jews. She also affirms that she learned it from an aunt in her small town of Zvinyetshke in the Bukovina.

For a full biography of Mark Varshavski (1848 – 1907) see the YIVO Encyclopedia.

mark varshavsky picMark Varshavski in Berdichev, 1900 (YIVO)

In her very emotional performance, the singer Lifshe Schaechter-Widman [LSW] stays remarkably close to the original text which is attached at the end of the post from the volume “Yidishe folkslider fun M. M. Varshavski” One interesting textual change, however, is in the line where LSW sings:

Farentfer di kashe, Got di bist groys
[Answer the question – God you are vast/supreme]

In Varshavski’s original text it reads:
S’farenfert di kashe, Got du bist groys
[The question is answered by – God you are vast/supreme]

The folklorized words by LSW address God directly, reflecting a more intimate relationship with God than in Varshavki’s version.

I could not find a previous recording of this song, neither on record, CD nor in field recordings. However, a song about Mendel Beilis and his infamous trial (1911-1913), accusing him of a blood libel is based on this Varshavski song. Lorin Sklamberg, YIVO sound archivist and lead singer for The Klezmatics, sang Dos lid fun Mendel Beilis at YIVO in 2013:

Thanks for help with this week’s post to Lorin Sklamberg.

TRANSLITERATION

Vi halt men dus oys? Farshtey ikh nisht kh’lebn.
Es iz shoyn fin Got azoy mir bashert.
Bay veymen s’iz a yontif dus shtikele leybn:
Bay mir iz dus leybn shvarts vi di erd.
Far vus un far ven, fregt mekh nit eyner.
Farentfer di kashe – Got di bist groys.
Es triknt in mir der marekh fun mayne beyner,
un ikh halt dus nit oys; ikh halt dus nit oys.

Vi halt men dus oys? Es iz avade a vinder.
Vi ikh shlep mayne krank, geshvolene fis.
Ikh blondze arim mit mayne ureme kinder
un vi ikh kim iz finster in vist.
A du ken ikh nisht shteyn, a du tor men nit lign.
azoy tsit men fin mir mayne koykhes aroys.
Vu ikh gey her ikh eyn nign –
Ikh halt dus nit oys; ikh halt dus nit oys.

A yeder fin aykh, say rakh say urem,
hot dus alte beys-oylem shoyn gezeyn.
Dort lign alte, tsebrokhene kvurim,
un fun dort hert men a geveyn.
Azoy iz tsebrokhn iz mir yeder eyver,
di velt iz mir fintster khotshe zi iz groys.
Oy, dek dikh af gikher, di fintserer keyver.
Vayl ikh halt dus nit oys, ikh halt dus nit oys.

TRANSLATION

How can one stand this? I swear I don’t understand.
It must be decreed from God.
For those who enjoy a little of life –
For me is life black as the earth.
Why and for what reason? No one asks me.
Answer the question, God you are supreme.
The marrow of my bones is drying
and I can no longer stand it, I can no longer stand it.

How can I stand it? It is truly a wonder.
I drag my sick, swollen legs.
I wander aimlessly with my poor children
and wherever I come, I feel dark and deserted.
There I may not stand; here I may not lay.
And in this way my strength disspipates.
Wherever I go I hear only one tune –
I cannot stand this; I can no longer stand this.

Each of you, the rich and the poor
has surely seen out Jewish cemetery.
There lay old, broken graves
and from deep in the graves one hears a cry.
Thus is broken in me every limb.
The world is as dark as it is vast.
O, cover me up you dark grave
Because I can no longer take it, I can no longer take it.

vi halt 1 yidvi halt 2 yid

warshavkiBookWarshavski1Warshavski2