Archive for Edward Portnoy

A Second Melody for “Katshke grin” Performed by Abba Rubin

Posted in Main Collection with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on April 10, 2018 by yiddishsong

A Second Melody for “Katshke grin”
Performed by Abba Rubin, recorded by Rachel Rubin 1991.

Commentary by Itzik Gottesman.

The Yiddish children’s song “Katshke grin”, also known as “Geyt arum a grine katshke” and “Grine katshke”,  has been recorded but with a different melody. This week we present a previously unknown melody for the song. The singer, Abba Rubin, was recorded by his daughter Rachel Rubin at the same field recording session as the previously posted Burekes af Peysekh in 1991.

greenduck

The words to Katshke grin were written by artist and writer Zuni Maud (1891 – 1956) and printed in Kinder Zhurnal, a monthly Yiddish children’s magazine published by the Sholem Aleichem Folk Institute in NYC, where he often contributed poetry and drawings.

Zuni Maud’s frequent collaborator was artist/writer Yosl Cutler and together they created the first successful Yiddish puppet theater Modicut (1925 – 1933) in NY. According to Edward Portnoy who wrote on the radical Modicut troupe, Mikhl Gelbart and Moyshe Rappaport wrote much of the music for Modicut, so perhaps one of them was the composer of one or both of the melodies.

Mariam Nirenberg sings Grine katshke with another melody on her record Folksongs in the East European Tradition: Mariam Nirenberg (Global Village GV M117).  You can hear Niremberg’s version on iTunes. She only sings one verse and the duck has a red nose, not a broad one as in Rubin’s version. Nirenberg emigrated from her town Czarnawcyce, Poland (Yiddish = Tsharnovtshits) to Canada in 1932.

The song, with Nirenberg’s melody, become more popular recently thanks to the CD recording Di grine katshke/The Green Duck (Living Traditions, 1997).  There it is sung with four verses by Henry Sapoznik.

Thanks for their help for this week’s post go to Abba Rubin, Edward Portnoy and Barbara Kirshenblatt-Gimblett. 

TRANSLITERATION

Katshke grin, breyte noz
un keyner veyst nisht vos iz dos.

Geyt arum a grine katshke,
geyt arum un trakht.
volt zi davenen shakhris
falt shoyn tsu di nakht.

Katshke grin, breyte noz
un keyner veyst nisht vos iz dos.

Geyt arum a grine katshke
geyt arum un kayt.
Volt zi brokn lokshn
hot zi nit keyn tsayt.

Katshke grin, breyte noz
un keyner veyst nisht vos iz dos.

Geyt arum a grine katshke
mit a breyter noz.
Volt zi shmekn tabak
hot zi nisht mit vos.

Kashke grin, breyte noz
un keyner veyst nisht vos iz dos.

TRANSLATION

Green duck, wide nose,
and no one knows what this is.

A green duck wanders,
wanders and thinks:
She would pray the morning prayers
but night has just fallen.

Green duck, wide nose,
and no one knows what this is.

A green duck wanders,
wanders and chews.
She would cut up the noodles,
but she doesn’t have the time.

Green duck, wide nose,
and no one knows what this is.

A green duck wanders,
with a wide nose.
She would smell tobacco,
but she doesn’t have with what.

Green duck, wide nose,
and no one knows what this is.

katchke1katchke2katchke3

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Urke Nakhalnik’s “Din-toyre” Performed by M. Bauman

Posted in Main Collection with tags , , , , , , , , , , , , on August 25, 2010 by yiddishsong

This week’s Yiddish Song of the Week, Urke Nakhalnik’s Din-toyre, was recorded by Beyle Schaechter-Gottesman in the Bronx, 1980s. The singer was a neighbor, M. Bauman, from either Lodz or Warsaw.

Urke Nakhalnik (1897-1942?) was a convicted criminal and after his release from prison in 1933, he became  a writer in Yiddish and Polish writing a hit book based on his experiences in the Jewish underworld. During the Second World War, living in Otwock, he died a hero’s death. His life was truly amazing. See Edward Portnoy’s entry on him in The YIVO Encyclopedia of Jews in Eastern Europe, but even better, see Portnoy’s article on him in Tablet in which he discusses the play Din-toyre (a “din-toyre” is a case before a rabbinic court) produced in Warsaw 1933. Portnoy believes this song was sung by the character who played Urke.

Urke Nakhalnik

Another Yiddish song that refers to a din-toyre is Levi-Yitskhok Bardichever’s 19th century “A din toyre mit Got” and one wonders whether this one is dialogically connected to the earlier one.

Bauman does not have a strong voice, and is barely on key, but he nicely captures the theatrical nature of the song– particularly his “Rex Harrison/My Fair Lady” spoken lines in the middle of the performance. The fine line between the underworld and revolutionaries is underscored in the text.

 Finster khoyskhek shpet bay nakht 
Tir un toyer zenen farmakht 
Krikh ikh, zikh ikh broyt far vayb un kind 
Sʼvert nor tinkl af der gas 
Nemt zi bald dem shvartsn pas*
In a vinkl, gants tinkl 
Farkoyft zi dort ir layb.

Dark, gloomy late at night, 
Door and gate are locked 
I crawl, I search a piece of bread for wife and child 
As soon as it gets dark on the street
She takes out her black pass*
In a corner, quite dark 
She sells her body.

Oy vi biter iz dos lebn fun a nash brat
Finster khoyshekh iz dos lebn fun undzers a yat. 
Es felt keyn mol key mure-skhoyre, skhoyre 
Shtendik nor in shrek, in moyre, moyre 
Vi shver kimt undz on dos trikn shtikl broyt.

Life is bitter for a fellow in crime 
Dark and gloomy is the life of one of us lads.
Gloom is never short in supply,
Always fearful, afraid, afraid,

How hard it is to get a piece of bread [to make a living]

Farvos kimt aynem raykhkayt farmegn 
dem tsvaytn nisht?
A din-toyre vil ikh fregn 
An entfer git.

Why is one rewarded with riches and wealth, 
and not the other?
I want a lawsuit [before a rabbinic court]
Give me an answer.

Farvos kimt aynem raykhkayt, ashires, ashires, 
Lukses oysgeputste, dires dires, 
Un azoy fil lebn in tsores un groyser noyt?

Why is one rewarded with wealth and riches 
luxurious decorated apartments,
and so many live with troubles in great poverty?

Ikh trakht un ken dos nisht farshteyn 
Farvos men halt undz far gemeyn 
Shpasn, undz hasn,
ver git zey dos rekht?

I think but I canʼt understand 
Why we are considered so vulgar,
Mocked, hated,
who gives them the right?

Farvos iz haynt aza min velt? 
As shtark iz der vos nor hot gelt
hipokritn, banditn,
men shekht, men blaybt gerekht. 

Why do we have such a world today? 
Where only the one with money is strong? 
Hypocrites, bandits,
They slaughter and are considered just.

Zey zaynen dos di faynste mentsn,
zey, alts far zey 
Far zey horoven oreme mentshn,
 far zey, alts far zey.

Hey are the finest people,
everything goes to them
 
Poor people slave for them,
everything goes to them.

Kleyne ganovim hengt men, hengt men. 
Groyse ganovim, shenkt men, shenkt men, 
Un azoy iz dos lebn, tomid ayngeshtelt. 

Small thieves get hanged 
Important thieves are rewarded
Thatʼs how life has always been.

Un azoy geyen di teg un di yorn
shnel, gikh farbay.
freg keyn kashes, un keyn khasroynes 
shtil ayngeshvaygt.

And so the days and years go by
 fast, quickly,

Donʼt ask questions, and see no faults, 
still, remain quiet.

Se helft kayn veynen un keyn trern, trern, 
keyner vil dem krekhts nit hern, hern, 
zey zaynen dos di faynste mentsn 
zey alts nor zey. 

Your crying and tears wonʼt help, 
No one wants to hear your groaning 
They are the finest people, 
All goes to them, only to them.

*shvartser pas = black permit. In interwar Poland, prostitutes could legally work with a “black permit”

Notes by Itzik Gottesman