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Harry Boens & Nathan Hollandar’s Song “Di Shpanishe kholere” Performed by Cantor Sam Weiss

Posted in Main Collection with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 15, 2020 by yiddishsong

Di Shpanishe Kholere / The Spanish Contagion
Lyrics by Harry Boens (Bennett), Music by Nathan Hollandar.
Performance by Cantor Sam Weiss.

Commentary by Cantor Sam Weiss

Around 15 years ago my friend Michael Bennett discovered his grandfather’s name (see Michael Bennett’s post about his grandfather, Harry Boens / Bennett) listed as lyricist on a piece of Yiddish sheet music about the 1918 Spanish flu. As there were no extant recordings or performances of the song, in 2010 he emailed me to see if I could arrange to get it recorded. I glanced at the lyrics and was quickly captivated by their colloquial directness and interesting vocabulary. In short order I printed out the file, placed the sheets on my electronic keyboard, ran through the song, and emailed the mp3 to Michael.

Image courtesy of Michael Bennett; all rights reserved.

The song remained our private little adventure until COVID-19 reared its head and Michael reached out to me again: “…Maybe it’s an appropriate time to release to the public your rendition of my grandfather’s lament.” I hesitated, not really thinking of that quick take as a “performance, “and his idea remained dormant. Right before the High Holidays, however, it occurred to me that the Yiddish Song of the Week website would be an appropriate vehicle for sharing this gem, and Itzik Gottesman agreed to host it along with Michael’s back story on his grandfather.

Cantor Sam Weiss by Robert Kalfus

As the song is equal parts humor and pathos, I adopted a theatrical singing style along with the “stage Yiddish” dialect suggested by the printed notation. The initial sound in the Yiddish word for “Spanish” is clearly intended to be pronounced “S” rather than “Sh,” being spelled here with a samekh in place of the standard shin, and that is how I sang it.

In the case of the word for “heart” I vacillated between the standard pronunciation harts and the printed word hertz. In these two cases the transcription reflects standard Yiddish spellings rather than the pronunciations heard on the recording; the remaining words are transcribed as sung. Although the notation indicates a repeat of the final phrase in the verses, these repeats were skipped in verses 3-6.

I was struck by an interesting word that occurs three times, neveyre, which I have translated as “plague.” Strictly speaking neveyre is simply the colloquial version of aveyre, meaning “sin” (the “n” resulting from conflating the two words an aveyre), but in this context neveyre implies a divine punishment that may have come about as a result of our sins. Although I have yet to find this particular meaning in any Yiddish dictionary or thesaurus, the usage is amply supported by Jewish lore from the Ten Plagues onwards. The song itself, moreover, expresses a plea for God’s compassion (to reverse the punishment, as it were) as well as the darkly comical idea of the Spanish flu as Woodrow Wilson’s vengeance for Germany’s role in World War I.

The title word kholere is especially noteworthy. Unlike the English word “cholera,” it has a much broader connotation than any specific type of illness. Indeed, the technical name of the disease appears only on the Yiddish lyrics back cover page as the title—but nowhere in the song—as Di Shpanishe influentsiye. In verse 5 kholere appears unmodified by Shpanishe; I therefore translate it as “contagion.” Kholere is found in a great number of Yiddish curses where the speaker is not particularly concerned with which krenk befalls the victim, as long as it is grueling and punishing. Indeed “punishing” is the word’s operative intention, as in the case of neveyre. Note the antiquated spelling of the word on the title page with a khes instead of the standard khof. This older Yiddish orthography hints at a presumed Hebrew origin, as if kholere were a retributive disease related to kadokhes (biblical kodokhas), which is always spelled with a khes. The back cover lyrics are below.

TRANSCRIPTION AND TRANSLATION by Cantor Sam Weiss

1. Ikh gey mir arim in strit fartrakht
Say bay tug in say bay nakht.
In mayn hartzn kokht dus blit,
Ze’endik vi mentshn faln in strit.

REFRAIN:

Vayl di gantse velt iz yetst in trobl,
In yeder eyner zikht dem knobl.

I walk the streets deep in thought,
Be it day, be it night.
The blood is seething in my heart
As I watch people collapsing in the street.

REFRAIN:

Because the whole world is now in trouble,
And everyone is searching for garlic.

2. Mentshn zitsn in hoyz mit der neveyre,
Zey hobn moyre far der Shpanisher kholere.
Nemt mayn edvays in seyft zikh fin dem trobl,
Trinkt a glezl vayn in est dem knobl.

REFRAIN: Vayl di gantse velt…

Everyone is stuck at home with this plague,
They’re all afraid of the Spanish flu.
Take my advice and save yourself from trouble,
Drink a glass of wine and eat some garlic.

REFRAIN: Because the whole world…

3. Der Daytsh iz oykh a groyser diplomat!
Er hot gevolt farnikhtn di velt vi a rats;
Wilson hot ober genimen zikh di ere
In geshikt dem Daytsh di Shpanishe kholere.

REFRAIN: Vayl di gantse velt…

The Germans are some diplomats…
Seeking to destroy the world as if it were a rat;
But Wilson stepped right up
And sent the Germans the Spanish flu!

REFRAIN: Because the whole world…

4. Sobveys, kars, gepakt oykh fil mit mentshn;
Ikh bet bay dir, oy Got, di zolst indz bentshn!
Nem fin indz oykh di neveyre
In hit indz up fin der Shpanisher kholere.

REFRAIN: Vayl di gantse velt…

Subways, cars, all packed with people;
I beg you, God, please bless us!
Remove the plague from us too,
And shield us from the Spanish flu.

REFRAIN: Because the whole world…

5. Barbers loyfn arim azoy vi di nyankes;
Fin hoyz tsi hoyz shteln zey ayedn bankes.
Zey aleyn trugn arim di neveyre;
Zey danken Got es halt on di kholere!

REFRAIN: Vayl di gantse velt…

Barbers scurry about as if they were nurses,
From house to house, with cupping glass treatments;
They themselves are carriers of the plague,
Thanking God that the contagion perseveres!

REFRAIN: Because the whole world…

6. Mikh tsi hern zingen is nisht kayn vinder;
Mentshn, past nor oyf of ayere kinder.
Di froyen in Eyrope zenen geblibn vi ofn yakor,
In di mener in Amerike brenen vi a flaker

REFRAIN: Vayl di gantse velt…

Don’t act surprised to hear me singing;
Folks, just watch over your children.
The wives are all marooned in Europe
While their husbands are ablaze in America

REFRAIN: Because the whole world…

Below images courtesy of Michael Bennett; all rights reserved.

“Der vanderer: Geboyrn bin ikh in tsores un in leydn” Performed by Lifshe Schaechter-Widman

Posted in Main Collection with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 12, 2020 by yiddishsong

Der vanderer: Geboyrn bin ikh in tsores un in leydn /
The Wanderer:
I was born with troubles and suffering
Sung by Lifshe Schaechter-Widman (LSW), recorded by Leybl Kahn, NYC 1954

Commentary by Itzik Gottesman follows the transcription and translation.


TRANSLITERATION / TRANSLATION

Geboyrn bin ikh in tsures in in leydn
in troyer in in yumer in in klug.
Fartribn bin ekh fin ale mayne freydn.
S’mir nisht lib kayn eyntsiker tug. 

I was born with troubles and suffering,
in sorrow and with tears and misfortune.
I’ve been driven away from all my joys:
Not one day of enjoyment have I had. 

Dus imglik traybt mekh arim iberal.
Es geyt mir oft mayn leybn oys.
Vus fara tug ze ikh in ayn argern fal.
Di hofenung – dus iz mayn malekh-hamus.

Bad luck has driven me everywhere;
Often has my life nearly ended
With each passing day I see something worse.
Hope has become my angel of death.

RefraIn:

Benken, benk ikh nukh mayn heymat shtark
Dortn shteyt mayn vigele, mayn rakh.
Vi lang ken ikh nokh zayn in na-venad.

Refrain:

I long so much for my home.
There is my crib, my realm.
How long can I still wander around?

Oy, di zin, di shants zeyer lib,
Dan sheynkeyt dayn lekht iz a prakht.
Nor mir eyner shantsti nebekh, trib.
ven bay dir iz tug, iz bay mir nakht. 

O, the sun, you shine with great pleasure.
Your beauty, your light is a splendor.
But for just me  your shine is gloomy.
When it is day for you, for me it is night. 

Di derkvikst ayeydn mit dayn frimorgn,
mit shpatsirn, luft in gezint.
Nor mekh eyner derkviksti mit zorgn.
Vayl ekh bin urem, a farvuglt kind.

You delight everyone with your morning,
with walks, air and health.
But for me alone, you “delight” with worries,
for I am poor, a homeless child.

Derkh der hofnung lad ekh nebekh noyt.
Fin alem bestn makht zi mekh umbikant.
Filaykht ervartert meykh der toyt,
Vil ikh shtarbn in man futerland.

On account of hope I suffer hardship.
It has made the best things unknown to me.
Maybe death awaits me,
so I want to die in my fatherland. 

Vayl benkn, benk ikh nukh mayn haymat shtark
Dortn shteyt mayn vigele, mayn rakh.
Vi lang ken ikh nokh zayn in na-venad?
Na-vad.

{Refrain}

I long so much for my home.
There is my crib, my realm.
How long can I still wander around?
Wander around.

The Germanisms in this song can only mean one thing – “Galicia”.  The Jews who lived in Austria-Hungarian Galicia before WWI and in its sister territory Bukovina, where singer Lifshe Schaechter Widman (LSW) was from, were fluent in German, sang German songs, and had no problem with German words in their Yiddish. A Yiddish writer I often associate with Galicia, Fradl Shtok (from Brody?), mentions this song in her story “Komediantn” (Gezamlte dertseylungen, 1919, p. 57.)  There, a street performer sings and plays on the flute – “Benken, benk ikh nokh mayn heymat…”. Unfortunately, she ends the song there.

Chagall-Over-Vitebsk-GettyImages-CROPPED-1843825-5aad718ea474be0019b9d26e (1)“Over Vitebsk” by Marc Chagall, 1914

A printed version of this song, sung by Z. Goldstein, text and music, appears in Shloyme Prizament’s book Broder zinger (pages 163 – 164) with the same title that LSW uses to introduce the song “Der vanderer”. Other than the refrain, the words and music are quite different. The fact that both Goldstein and LSW call it with the same title, “The Wanderer”, indicates, in my opinion, that it is from a play or, more likely, a popular Broder zinger tavern performance (for a recent article on Broder zinger see the article “Broder Singers: Forerunners of the Yiddish Theater” by Amanda [Miryem-Khaye] Seigel).

The song became a beggar’s song at some point. In volume 8, #22 in the CD series Historical Collection of Jewish Musical Folklore 1912 – 1947 produced by the Vernadsky National Library of Ukraine, Kiev,  the singer Yeshaya Khazan, recorded in 1939, sings a similar version to LSW. Khazan refers to this as a beggar song and his emotional performance, punctuated with “oy veys!” bears this out.

A longer printed version of the song, and one that is closest to LSW’s version, can be found in the collection of folk poetry Zeks yidishe folks lider (Six Yiddish folks songs) by  L. M. Graboys (or Groboys), Kishinev, 1900.

zeks cover

Here the song is entitled “Benken benk ikh”. Though the author implies that he is the author of all the songs in the collection, this is doubtful. The first song “Der bal-dover mit dem khoyle”  [the devil and the sick one] is a long version of the old ballad “Der lomp vert farloshn”, (listen to LSW’s version of this on Yiddish Song of the Week posted in 2011) which Graboys/Groboys certainly did not write. 

One word gave me particular trouble in this song. In the refrain, all of the sources except LSW sing “Dortn iz  mayn vigele, mayn rekht”. What is meant by “rekht” in this context? I have heard many suggestions: birthright, citizenship, rights, among them. All are possible, though I have never heard “rekht” used that way with this syntax. LSW sings a different word which I hear as “raykh” (“reich” in German) and translate as “realm”.

During the short discussion after the song between collector Leybl Kahn and LSW, she clarifies that it is not a Zionist song. 

Special thanks this week to Eliezer Niborski.

vanderer1vanderer2

“Der freylekher kaptsn” Performed by Jacob Gorelik

Posted in Main Collection with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 5, 2017 by yiddishsong

Commentary by Itzik Gottesman

Der freylekher kaptsn (The Happy Poor Man) is an upbeat song I recorded from Jacob Gorelik in 1985 in New York City. The song follows the alef-beys for 23 verses. Der freylekher kaptsn is also known as Der freylekher khosid and Hop-tshik-tshak, which is a dance or dance step.

GorelikSingsBX

Jacob Gorelik sings at the Sholem-Aleichem Center with
Dr. Joshua Fishman sitting next to him (Bronx, 1980s)

As he says in his spoken introduction, Jacob Gorelik sent this song to the Israeli folklore journal Yeda-Am and it was printed in 1967 (Vol. 12 no 31-32) with the music. Attached are scans of those pages which include the Yiddish verses, a Hebrew translation and a brief commentary (in Hebrew) by the editor on the song at the end which includes references to other versions of the song found in other song collections. When he sang this for me Gorelik was reading the lyrics from the journal.

Gorelik also pointed out the similarity in melody to Khanele lernt loshn-koydesh (words by A. Almi), a song that was later recorded by Chava Alberstein and the Klezmatics among others.

The verse that corresponds to the letter ע begins with the word “helft” – because, as Gorelik explained, in the Ukrainian Yiddish dialect the “h” sound at the beginning of the word is often silent.

A humorous parody of the song about kibbutz life was collected and published by Menashe Gefen in issue 3-4, 1972, of the Israeli periodical מאסף, Measaf. Two scans of that are attached as are two scans of the version collected by I. L. Cahan and included in his 1912 publication Yidishe folkslider mit melodyen.

Thanks this week for help with the blog go to Paula Teitelbaum, Psoy Korolenko and Facebook friends

 

Gorelik speaks:

Lekoved mayn tayern gast, Itzikn, vel ikh zingen a folklid, an alte, alte folklid – “Der freylekher kaptsn”.  Un es geyt in gantsn loytn alef-beys. Du veyst kaptsonim zenen ale mol freylekhe. Gehert hob ikh dos mit etlekhe tsendlik yor tsurik fun mayn froys a shvoger: Hershl Landsman. In Amerike hot gebitn – in Amerike tut men ale mol baytn – gebitn dem nomen af London. Far zikh, far di kinder, zey zoln kenen vern doktoyrim.

Un er hot es gehert baym onfang fun tsvantsikstn yorhundert. Hershl iz shoyn nito; lomir im take dermonen. Landsman is shoyn nito. Zayn froy iz nito shoyn. Mayn eygene tayere froy iz shoyn nito.

Der freylekher kaptsn.  Es geyt loytn alef-beys. Gedrukt iz dos in Yeda-Am. Flegt aroysgeyn in Yisrol a vikhtiker zhurnal, a folklor-zhurnal. Unter der redaktsye fun Yom-Tov Levinsky, 1967 iz der zhurnal aroys, der numer.

 

א
Ikh bin mir a khosidl, a freylekhe briye.
Bin ikh mir a khosidl, on a shum pniye.
Bin ikh mir a khosidl, a khosidak.
Tants ikh mir a freylekhn hop-tshik-tshak! 

ב
Borves gey ikh mit hoyle pyates.
Fun oyvn biz arop mit gole lates;
Bin ikh mir a lustiker a freylekher bosyak
Tants ikh mir a freylekhn hop-tshik-tshak! 

ג
Gole lekher iz mayn kapote
fun oybn viz arop mit shvartser blote;
Tu ikh mir on fun eybn dem yarmak.
Tants ikh mir a freylekhn hop-tshik-tshak!

 ד
Der dales iz bay mir afn pritsishn oyfn.
Der kop tut vey fun dem arumloyfn;
kh’loyf un loyf azoy vi a durak.
Tants ikh mir a freylekhn hop-tshik-tshak! 

ה
Hering mit broyt iz bay mir a maykhl,
abi ikh shtop zikh on dem baykh.
un kartofles far a pitak.
Tants ikh mir a freylekhn hop-tshik-tshak! 

ו
Ver s’geyt in mayn veg,
der vet hobn gute teg;
in a bisl bronfn gefin ikh nit keyn brak;
Tants ikh mir a freylekhn hop-tshik-tshak! 

ז
Zingen, zing ikh af mayn gorgl
un shpiln, shpil ikh af mayn orgl.
Bin ikh mir a khosidl, a spivak,
Tants ikh mir a freylekhn hop-tshik-tshak! 

ח
Khotsh ikh bin mir horbevate
un dertsu nokh stulovate;
A bisl bronfn nem ikh mir geshmak
Tants ikh mir a freylekhn hop-tshik-tshak! 

ט
Toybenyu, mayn vayb zogt tsu mir:
nito af shabes, vey tsu dir;
leydik iz mayn keshene, nito keyn pitak,
Tants ikh mir a freylekhn hop-tshik-tshak! 

י
Yontif iz bay mir di beste tsayt,
tsu antloyfn fun der klipe – vayt;
un makh ikh dort a koyse mit dem knak,
Tants ikh mir a freylekhn hop-tshik-tshak! 

כּ
Koshere kinderlekh, a ful getselt,
hungerike tsingelekh aroysgeshtelt.
Esn viln zey gants geshmak,
Tants ikh mir a freylekhn hop-tshik-tshak! 

ל
Loyfn, loyf ikh af di piates,
vayl shikh zaynen gole lates.
Ikh loyf un loyf vi a bosyak,
Tants ikh mir a freylekhn hop-tshik-tshak! 

מ
Mirenyu, mayn tokhter, zi zogt tsu mir:
ven met kumen di nekhome af mir?
Gib mir a khosn mit a kurtsn pidzak,
Tants ikh mir a freylekhn hop-tshik-tshak! 

נ
Nekhome, mayne, zog ikh tsu ir:
Du vest nokh heysn mitn nomen – shnir.
Dayn shviger vet zayn a groyser shlak,
Tants ikh mir a freylekhn hop-tshik-tshak! 

ס
S’hoybt nor on tog tsu vern,
heybn zikh on di kinderlekh iberklern;
un kalt iz zey gants geshmak,
Tants ikh mir a freylekhn hop-tshik-tshak! 

ע
Elft mir kinder zmires zingen,
vet ir zayn bay mir voyle yingen;
shenken vel ikh aykh a pitak,
Tants ikh mir a freylekhn hop-tshik-tshak! 

פּ
Peysekh kumt, bin ikh mir freylekh,
mayn vayb a malke un ikh a meylekh.
Matsos hobn mir a fuln zak;
Tants ikh mir a freylekhn hop-tshik-tshak! 

צ
Tsadikim, rebeyim, veysn aleyn,
az s’iz nit gut tsu zayn gemeyn;
tsores faran in a fuler zak,
tants ikh mir a freylekhn hop-tshik-tshak! 

ק
Kinder mayne, hob ikh gezogt:
haynt iz simkhes-toyre, nit gezorgt;
A koyse veln mir makhn gants geshmak;
Tants ikh mir a freylekhn hop-tshik-tshak! 

ר
Royzenyu, mayn tokhter, zogt tsu mir:
kh’hob a man, iz er gerotn in dir:
er git mir nit af shabes afile keyn pitak;
Tants ikh mir a freylekhn hop-tshik-tshak! 

ש
Shoyn Purim iz do, a yontif bay mir,
Ikh trog shalekh-mones fun tir tsu tir.
Khap ikh a trunk bronfn gants geshmak,
Tants ikh mir a freylekhn hop-tshik-tshak! 

תּ
Tomid freylekh, nit gezorgt,
Nor layen, nor geborgt.
un in keshene iz nito keyn pitak,
Tants ikh mir a freylekhn hop-tshik-tshak! 

In honor of my dear guest, Itzik, I will sing the folksong, an old, old folksong “The Happy Poor man”. It goes according to the alphabet. You know poor people are always happy. I heard this a few decades ago from my brother-in-law Hershl Landsman. In American he changed – In America one is always changing – In America he changed his name to London; for his sake, for his children, so that they can become doctors.

And he heard it at the beginning of the 20th century. Hershl is no longer here; his wife is no longer here. My dear wife is no longer here.

“The Happy Poor Man”. It goes according to the alphabet. It was published in Yeda-Am, that used to be published in Israel: a folklore journal, an important journal, edited by Yom-Tov Lewinsky. In 1967 this issue was published.

א
I am a khosid, a happy creature.
I am a khosid, with no bias.
I am a khosid, a khosidak [humorous form of khosid]
So I dance a joyous hop-tshik-tshak!

ב
I go around barefoot with bare soles.
Up and down I’m full of patches.
I’m happy-go-lucky, cheerful and barefoot
So I dance a joyous hop-tshik-tshak!

ג
My kaftan is full of holes
from top to bottom full of mud.
So I put on my overcoat
and I dance a joyous hop-tshik-tshak.

ד
I treat poverty as if it were nobility,
my head hurts from all my running around.
I run and run as an fool,
so I dance a joyous hip-tshik-tshak.

ה
Herring with bread is a real treat
as long as I can stuff up my tummy,
with potatoes for a penny.
So I dance a joyous hop-tshik-tshak!

ו
Whoever goes in my path
will enjoy good days.
In a little whiskey I find nothing to waste;
So I dance a joyous hop-tshik-tshak!

ז
I sing with my throat
and play on my organ.
So I am a khosid, a singer.
And I dance a joyous hop-tshik-tshak!

ח
Though I am a hunchback
and I slouch a little too,
I take a nice swig of whiskey.
And I dance a joyous hop-tshik-tshak!

ט
Toybeynyu, my wife says to me:
We have nothing for sabbath, woe is me.
Empty is my pocket with no penny.
So I dance a joyous hop-tshik-tshak.

י
Holidays are the best time for me,
to escape far from my shrewish wife.
And I drink a shot with real snap.
And I dance a joyous hop-tshik-tshak!

כּ
Observant children – I have a tent full;
their hungry tongues sticking out.
They really want to eat a lot.
So I dance a joyous hop-tshik-tshak!

ל
I run on my soles
because my shoes are all patched up.
I run and run like a barefoot man,
So I dance a joyous hop-tshik-tshak!

מ
Mirenyu, my daughter, says to me:
when will I get some relief?
Give me a groom with a short jacket.
So I dance a joyous hop-tshik-tshak!

נ
“My solace”,  I say to her:
“You will yet one day be called ‘daughter-in-law’.
Your mother-in-law will be big nuisance.
So I dance a joyous hop-tshik-tshak!

ס
As soon as the day breaks,
my children start to consider their state:
and they are so very cold.
So I dance a joyous hop-tshik-tshak!

ע
If you help me children to sing zmires
you will be good kids.
I will give as a tip, a coin.
And I dance a joyous hop-tshik-tshak!

פּ
When Passover comes I am happy:
my wife is a queen and I a king.
We have a full sack of matzoh
And I dance a joyous hop-tshik-tshak!

צ
Holy rabbis, Rebbes, know already
that it’s not good to be vulgar.
We have a sack full of troubles.
And I dance a joyous hop-tshik-tshak!

ק
My children, I said,
today is Simkhes-Torah, don’t worry.
We will all down a good drink,
And I dance a joyous hop-tshik-tshak!

ר
Rose, my daughter, says to me.
I have a husband just like you.
He doesn’t give me a penny for the Sabbath
And I dance a joyous hop-tshik-tshak!

ש
Purim is already here, a real holiday for me,
I carry shalekh-mones from door to door.
I take a quick swig of whiskey, really fine.
And I dance a joyous hop-tshik-tshak!

ת
Always joyous, never worried,
Always borrowing, always mooching,
And in my pocket not a penny.
And I dance a joyous hop-tshik-tshak!

Yeda-Am, 1967 (Vol. 12 no 31-32):

hoptshikyedaam1hoptshikyedaam2hoptshikyedaam3

hoptshikyeedaam4

Measaf, 3-4, 1972:

kibbutz1

Kibbutz2

I. L. Cahan, 1912:

Cahan1Cahan2 copy