Archive for cheeks

“Az in droysn geyt a reygn vern di shteyner nas” Performed by Beyle Schaechter-Gottesman and Lifshe Schaechter-Widman

Posted in Main Collection with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on August 16, 2019 by yiddishsong

Az in droysn geyt a reygn vern di shteyner nas
When It Rains Outside the Stones Get Wet

Sung by Beyle Schaechter-Gottesman and Lifshe Schaechter-Widman
BSG recorded by Itzik Gottesman, Bronx, 1980s; LSW recorded by Leybl Kahn 1954.

Commentary by Itzik Gottesman

Beyle Schaechter-Gottesman (BSG) learned this lyrical love song from her mother Lifshe Schaechter-Widman (LSW), and LSW probably learned it in her hometown of Zvinyetshke, Bukovina. At this “zingeray” (song sharing session) in the Gottesman home, one can hear other singers featured on “Yiddish Song of the Week” – Tsunye Rymer and Ita Taub  joining in:

Leybl Kahn had years earlier recorded LSW singing the same song; so we have a rare opportunity to compare the singing of the same song by mother and daughter:

In this performance BSG leaves out the second verse which she usually included. LSW does include that verse.  I have transcribed and translated both versions though they are very similar.

Both versions have the wonderful rhyme of “khipe” (wedding canopy) with “klipe” (shrew or an evil spirit that won’t leave you alone).

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Painting by Beyle Schaechter-Gottesman

A recording of BSG singing this song with all the verses appears on the CD “Bay mayn mames shtibele” (At My Mother’s House, 2004) with violin accompaniment by Alicia Svigals

At the beginning and end of the LSW recording the collector Leybl Kahn sounds confused because LSW had just sung for him another song beginning with the same line “Az in droysn geyt a reygn”.

 BSG TRANSLITERATION

Az in droysn geyt a reygn,
vern di shteyndelekh nas.
Un az a meydele shpilt a libe
vern ire bekelekh blas.

Second verse that she left out:
Un az zi shpilt shoyn oys di libe
farlirt zi dokh ire farbn.
Un az zi shpilt nisht oys di libe,
miz zi dokh yingerheyt shtarbn]

Vos dreysti dikh mame far mayne oygn?
Dreyst dekh nor vi a klipe.
Kh’vel mit im avekforn in an anderer medine
un vel mit im shteln a khipe. 

Oy, un a shadkhn, oy vey iz der mamen,
vet ir zikh beyde nemen?
Say ez vet dir git geyn, say es vet dir shlekht geyn –
far keyn kind vil ekh dikh mer nisht kenen. 

Az in droysn geyt a reygn,
vern di shteyndelekh nas.
Un az a meydele shpilt a libe
vern ire bekelekh blas.

BSG TRANSLATION 

Outside, when it rains
the stones get wet.
And when a girl falls in love
her cheeks get pale.

Second verse that she left out:
And if the love is successful
she loses her colors.
And if the love is unrequited
then she must die

Why are you always before my eyes, mother.
You’re clinging to me like an evil spirit.
I will run away with him to a foreign land
and marry him under a canopy.

“Without a matchmaker, woe is to your mother,
you will take each other?
I don’t care if things go well, or bad with you.
I will no longer  consider you as my child”

Outside, when it rains
the stones get wet.
And when a girl falls in love
her cheeks get pale.

LSW VERSION TRANSLITERATION

Az in droysn geyt a reygn
vern di shteyndelekh nas.
In az a meydele shpilt a libe
vern ir di bekelekh blas.

In az zi shpilt di libe
vert zi dokh un di farbn
In az zi shpilt nisht oys di libe
miz zi dekh yingerheyt shtarbn.

Vus dreysti dikh, mametshkele, far mayne oygn.
Di dreyst dekh arim vi a klipe.
Ikh vel mit im avekfurn in a fremder medine
un vel mit im shteln a khipe. 

Un a shadkhn oy vey iz der mame
vet ir aykh beyde nemen.
Say es vet aykh git zayn, say ez vet aykh shlekht zan
Far keyn kind, vil ikh dekh mer nit kenen. 

Say es vet aykh git zayn, say ez vet aykh shlekht zayn
Far keyn kind, vil ikh dekh mer nit kenen.
Say es vet dir git zayn, say ez vet aykh shlekht zayn
Far keyn kind, vil ikh dekh mer nit kenen. 

LSW TRANSLATION

Outside, when it rains
the stones get wet.
And when a girl has a love
her cheeks get pale.

And if the love is successful
she loses her colors.
and if the love unrequited
then she must die

Why are you always before my eyes, mother.
You’re clinging to me like an evil spirit.
I will run away with him to a foreign land
and marry him under a canopy.

“Without a matchmaker, woe is to your mother,
you will take each other?
I don’t care if things go well, or bad with you.
I will no longer consider you as my child”

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“Shtey shoyn af tokhter mayn getraye” Performed by Lifshe Schaechter Widman

Posted in Main Collection with tags , , , , , , , , , , , , , , on June 23, 2011 by yiddishsong

Commentary by Itzik Gottesman

„Shtey shoyn of tokhter mayn getraye‟ (“Wake Up My Faithful Daughter”) is the only Yiddish song I know that mentions coffee, and though I drink 3 double espressos daily, I thought I would post this song sung by Lifshe Schaechter-Widman (LSW) for a different reason: a recent interesting article on family violence and Yiddish song written by Adrienne Cooper and Sarah Gordon. Originally published in Lilith magazine, and republished on-line on the Arty Semite blog of the Forward newspaper (in four parts).

In the first song example given in that essay – „A gutn ovnt Brayne‟, the first stanza ends with „zint ikh hob dem merder derkent‟ („Since I‘ve known this murderer‟). As you can also see in the song „Shtey shoyn af tokhter mayn getraye‟, merder/murderer is apparently another way to say „wife beater‟ in Yiddish.

As for „Shtey shoyn of‟ – LSW sings the first verse beautifully, somehow getting off track in the second verse – it‘s a line too short, and the melody changes – and then again getting back on track in the third verse and ending the powerful and sad song with her emotional style.

Musically, listen to the way she ornaments so subtly with „oy‟. Textually – in three short verses with vivid imagery we have a complete, melancholy short story in the classic mother-daughter dialogue form, so common in Yiddish folksong.

I think it‘s particularly touching that the mother has the final word. Perhaps other singers or versions perform additional verses in which the daughter responds; I have not found any, and this version certainly fits into LSW‘s gloomy view of the woman‘s world; a woman recently married, no less. This recording of LSW was made by Leybl Kahn in New York City in 1954.

Oy shtey shoyn af tokhter mayn getraye
dayne lipelekh zenen dir farshmakht.
Shtey shoyn af tokhter mayn getraye
dayn kave zi shteyt shoyn fartik gemakht.
Shtey shoyn af tokhter mayn getraye
Dayn kave, zi shteyt dir fartik gemakht.

O wake up my faithful daughter,
Your lips are so pale; [literally – languished, fading]
Wake up my faith daughter,
your coffee is waiting for you, already made.

Oy mame, oy miter, vos toyg mir mayn leybn af der velt?
Az dem vos ikh hob lib ken ikh nit nemen,
mit vemen vel ikh opfirn mayn velt?
Az dem vos ikh hob lib ken ikh nit nemen,
mit vemen vel ikh opfirn mayn velt?

O mama, o mother, what good is my life in the world?
If I cannot take the one I love
with whom shall I spend my life? [literally – conduct my world]

Oy, dayne bekelekh hobn geblit vi di royte epelekh
far ayn glik hob ikh mir dus forgeshtelt.
haynt, az di bist arayn tsu dem merder in di hent aran.
af eybik hot er farimert dir dayn velt.
di bist arayn tsu dem merder in di hent arayn.
oy, af eybik hot er farimert dir di velt.

O your cheeks were blooming like the red apples,
I imagined this meant happiness.
Now, that you have fallen into that murderer‘s hands,
he has forever saddened your world.