Archive for canopy

“Di velt iz meshige” Performed by Sara Nomberg-Przytyk

Posted in Main Collection with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 4, 2020 by yiddishsong

Di velt iz meshige/The World Has Gone Mad
Sung by Sara Nomberg-Przytyk [pronounced “Pshitik”]
Recorded with English subtitles by Wolf Krakowski, Way’s Mills, Quebec, Canada, 1986

 

Information on the song and Yiddish transcription provided by Eliezer Niborski, Jerusalem:

This seems to be a transformation of a song that was popular in the Lemberg/Lviv area in the 1910s. There is a 78rpm recording of Pepe Litman singing this song that you can hear here by clicking here.  There are at least two other 78rpm recordings of the song with this title, one by N. Glimer from Lemberg and one by Sam Schilling. 

Gilmer (1)78 Recording “Die Welt is Meschuge” by N. Gilmer recorded in Lemberg (Lviv) (Favorite, 1-27132X)

The same song, but titled “Meshige ist die welt” is sung by Julius Kalisch (1909) (Lemberg/Lviv) and can be heard by clicking here.

All three singers of these 78rpm recordings are basically using the same text and arrangement. In Sara Nomberg-Prztyk’s version, however, the content is adapted to the theme “modern women”. 

Commentary by Itzik Gottesman:

Thanks to Sara Nomberg-Przytyk’s introduction to the song in which she tells us her grandmother sang it with no sarcasm, but meant it literally, we can add her “Di velt iz meshige” to a number of songs using irony to mock the old-fashioned Jewish way of life or to make fun of the Hasidic rebbe and his Hasidim.

 In some interpretations of these songs, the irony was indeed often “lost” to the singer. But, of course, Sara, the more modern granddaughter did indeed “get it”. The naive narrator of the song in Nomberg-Przytyk’s version decries modern Jewish society, women in particular, with their “reading books”,  going to spas, and wearing their own hair and new immodest fashions. By “suffragettes”, the singer clearly just means “modern women”.

The video came with a translation and is mostly accurate. However as Niborski points out, when she sings “furn di kur”, this is shorthand for “furn af der kur” — going to spas, resorts.

Thanks for help with this week’s post to discographer Michael Aylward and Eliezer Niborski.

TRANSCRIPTION 

SPOKEN: Di lid vus ikh vil  atsind zingen iz zayer an alt lid. Zi iz antshtanen in di tsatn fin di sufrazhistkes. In dus iz geveyzn di yidishe sufrazhistkes. Ikh mayn az der vos hot geshribn di lid hot zi geshribn als a “joke”. R’hot gelakht derfin. Ober mayn bube hot es gezugt ernst. Zi hot es traktirt zeyer ernst.

SUNG:

Gevald vel ikh shrayen,
me zol hern, me zol hern!
Tsi hot zikh nokh azoyns gehert?
Dus yidishkayt vil du zikh iberkern, Oy-vay!
S’nemt mikh on a groys gevayn.

Zay furn “di kur”. 
Zay gayen in di hur.
Zay laynen bikher un a tsul.
Fin groys biz klayn,
zey makhn khayn,
un redn ale inter der nuz.

A mol hot men gefirt di kale tsu der khipe,
hot men ir ungetin di bubes a yipe.
Haynt geyen zey mit di naketdike paskudstves un – tfuuuu!
Zey hobn a punim vi a klipe.
Derfar haltn zey ober di hern far klige.
Ober ikh shray “Gevald!”
Di velt iz meshige!
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“Az in droysn geyt a reygn vern di shteyner nas” Performed by Beyle Schaechter-Gottesman and Lifshe Schaechter-Widman

Posted in Main Collection with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on August 16, 2019 by yiddishsong

Az in droysn geyt a reygn vern di shteyner nas
When It Rains Outside the Stones Get Wet

Sung by Beyle Schaechter-Gottesman and Lifshe Schaechter-Widman
BSG recorded by Itzik Gottesman, Bronx, 1980s; LSW recorded by Leybl Kahn 1954.

Commentary by Itzik Gottesman

Beyle Schaechter-Gottesman (BSG) learned this lyrical love song from her mother Lifshe Schaechter-Widman (LSW), and LSW probably learned it in her hometown of Zvinyetshke, Bukovina. At this “zingeray” (song sharing session) in the Gottesman home, one can hear other singers featured on “Yiddish Song of the Week” – Tsunye Rymer and Ita Taub  joining in:

Leybl Kahn had years earlier recorded LSW singing the same song; so we have a rare opportunity to compare the singing of the same song by mother and daughter:

In this performance BSG leaves out the second verse which she usually included. LSW does include that verse.  I have transcribed and translated both versions though they are very similar.

Both versions have the wonderful rhyme of “khipe” (wedding canopy) with “klipe” (shrew or an evil spirit that won’t leave you alone).

aznin droysn image

Painting by Beyle Schaechter-Gottesman

A recording of BSG singing this song with all the verses appears on the CD “Bay mayn mames shtibele” (At My Mother’s House, 2004) with violin accompaniment by Alicia Svigals

At the beginning and end of the LSW recording the collector Leybl Kahn sounds confused because LSW had just sung for him another song beginning with the same line “Az in droysn geyt a reygn”.

 BSG TRANSLITERATION

Az in droysn geyt a reygn,
vern di shteyndelekh nas.
Un az a meydele shpilt a libe
vern ire bekelekh blas.

Second verse that she left out:
Un az zi shpilt shoyn oys di libe
farlirt zi dokh ire farbn.
Un az zi shpilt nisht oys di libe,
miz zi dokh yingerheyt shtarbn]

Vos dreysti dikh mame far mayne oygn?
Dreyst dekh nor vi a klipe.
Kh’vel mit im avekforn in an anderer medine
un vel mit im shteln a khipe. 

Oy, un a shadkhn, oy vey iz der mamen,
vet ir zikh beyde nemen?
Say ez vet dir git geyn, say es vet dir shlekht geyn –
far keyn kind vil ekh dikh mer nisht kenen. 

Az in droysn geyt a reygn,
vern di shteyndelekh nas.
Un az a meydele shpilt a libe
vern ire bekelekh blas.

BSG TRANSLATION 

Outside, when it rains
the stones get wet.
And when a girl falls in love
her cheeks get pale.

Second verse that she left out:
And if the love is successful
she loses her colors.
And if the love is unrequited
then she must die

Why are you always before my eyes, mother.
You’re clinging to me like an evil spirit.
I will run away with him to a foreign land
and marry him under a canopy.

“Without a matchmaker, woe is to your mother,
you will take each other?
I don’t care if things go well, or bad with you.
I will no longer  consider you as my child”

Outside, when it rains
the stones get wet.
And when a girl falls in love
her cheeks get pale.

LSW VERSION TRANSLITERATION

Az in droysn geyt a reygn
vern di shteyndelekh nas.
In az a meydele shpilt a libe
vern ir di bekelekh blas.

In az zi shpilt di libe
vert zi dokh un di farbn
In az zi shpilt nisht oys di libe
miz zi dekh yingerheyt shtarbn.

Vus dreysti dikh, mametshkele, far mayne oygn.
Di dreyst dekh arim vi a klipe.
Ikh vel mit im avekfurn in a fremder medine
un vel mit im shteln a khipe. 

Un a shadkhn oy vey iz der mame
vet ir aykh beyde nemen.
Say es vet aykh git zayn, say ez vet aykh shlekht zan
Far keyn kind, vil ikh dekh mer nit kenen. 

Say es vet aykh git zayn, say ez vet aykh shlekht zayn
Far keyn kind, vil ikh dekh mer nit kenen.
Say es vet dir git zayn, say ez vet aykh shlekht zayn
Far keyn kind, vil ikh dekh mer nit kenen. 

LSW TRANSLATION

Outside, when it rains
the stones get wet.
And when a girl has a love
her cheeks get pale.

And if the love is successful
she loses her colors.
and if the love unrequited
then she must die

Why are you always before my eyes, mother.
You’re clinging to me like an evil spirit.
I will run away with him to a foreign land
and marry him under a canopy.

“Without a matchmaker, woe is to your mother,
you will take each other?
I don’t care if things go well, or bad with you.
I will no longer consider you as my child”

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